Whatever
is one in a long list of films about teenagers in their supposedly
natural habitat. When they say "natural habitat",
they really mean that the director wallowed in depravity and
despair - Good Heavens if they ever decided to make a film
about decent adolescents who don't drink and screw around,
or fornicate with pastry and other non-living things. Whatever
was not made by one who decided to buck the trend.
It is, however, compelling to watch because of its raw imagery,
up to a point. The two main characters are Anna and Brenda.
Anna is an artist who hopes to be accepted into a New York
art school, while Brenda is a promiscuous drunk who gets herself
into too much trouble (she is gang-raped in the very first
shot!). For much of the movie, we are shown the sublte differences
between these two friends. Brenda is more likely to take a
walk on the wild side, as she gets herself into debased sexual
situations, and, also, meets up with a couple of drug dealers,
just released from prision, during a party, and has numerous
wild nights with them, while experiementing with drugs such
as cocaine. Anna, on the other hand, appears to be beyond
much of the crap Brenda allows herself to experience. She
seems to hang around with Brenda as a protector; someone who
watches over her, however futilely. She also has clearly much
more potential, as a number of authority figures in her school
point out, including her English teacher (in a ridiculous
characterization), who constantly treats her with disdain.
The flipside of the sardonic English teacher is the art teacher,
who attempts to inspire confidence in Anna, mainly because
he himself resents his own lack of acheivements, and doesn't
want Anna to give up so easily. We don't get much insight
into Anna's art; we know that she does still life pictures,
but that's all. However, there is a good moment where the
art teacher tells her to be passionate about her art, even
if the subject is merely a pair of boots.
Anna
is clearly at a crossroads; she has the potential to go far
in life, but she is also stuck in a social circle which values
boredom and heavy intoxication. The rest of the movie details
her downfall, and then her potential redemption.
Like
I said, the movie is compelling because it is raw, but only
up to a point. It is painfully clear that the director (Susan
Skoog) made this movie in order to shock. I knew right from
the start, when Brenda is gang-raped, that the rest of the
film would not tone down the material. The film is vulgar,
sexually frank, and wallows in the depressing and pointlessness
that is standard adolencense. The film does feel real, even
though it is also sensationalistic, and is certainly something
that concerned parents may want to take a look at, if they
want to see what their kids may be getting into, although
it must also be said that you shouldn't take a mere movie
too much to heart.
After
a while, however, it just gets a bit disgusting, and by doing
so, potentially hurting any feelings we may have for the character
of Anna. She is not perfect, by any means, and screws up concerning
her homework and art, but her actions seem fairly credible,
up until she and Brenda fake sick and take a trip to New York.
Actually, that's not the unbelievable part; it's what happens
later, when they somehow pick up two guys from the street,
get drunk with them, then go to a hotel room, where Brenda
has sex with one guy in one room, while Anna gives the other
guy a blow job, causing her to vomit over him. Later on, Anna
actually goes on a road trip with Brenda and the ex-cons to
Flordia, and gets into the drugs and alcohol, before waking
up naked on the beach. I found all of this to be problematic
- it does turn your feelings toward Anna around, because she
no longer seems as if she has her head screwed on reasonably
striaght. Of course, that may be the point; she has to suffer
a lot before she sees the light. But this is the kind of movie
where, at first glance, you feel the director pushes things
too far.
To
be fair, however, I'm more confused than anything, because
on the one hand I wonder if it was neccessary for them to
go as far as they did, and on the other hand, the fact that
the film does do this shows that the director had a lot of
nerve. A real plus is that it is directed and seen from a
female point of view; the young women are the focal point
of the drama, and are not secondary characters. Somehow, as
well, I find it much easier to sympathize with confused teenage
girls than with stupid teenage boys, so, even while I wonder
if everything in this story needed to be told, it was much
easier to take with these two protagonists.
I
wish that the ending was a bit different, though. Anna's a
potential artist; how about transforming her life experiences
into art? I also thought she seemed too bright to find herself
in that hotel room, or on that road trip. Maybe if she had
to be at either of those two places, there could have been
some actual diolouge between these two friends about the kind
of lives that they are truly leading. I don't even recall
anything in the dialouge that suggested that these kids ever
questioned anything that occured; certainly, not a single
mention is made of the gang rape, which is probably more disturbing
than the actual event. Do these people think it is normal;
that it is healthy?? Shouldn't there be some sort of consequence?
I think much of the reason I had a problem with this film
is because there is no moral ground; Skoog is able to depict
the lifestyle, and is at ease at showing us the ugly depths,
but is unable to tell us what she stands for. Does she really
have a problem with this lifestyle, or does she just tack
on an incomplete ending to appease more moderate folk, just
like Russ Meyer tacked on social relevancy so he wouldn't
be accused of making pornography? The movie gets a recommendation
from me; I just wished that there was more to recommend.
David
Macdonald
David
Macdonald's Movie Reviews
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