Chinese Title: You Seng
Clara
Law Director
Cast
Joan Chen........................ Princess Scarlet/Violet
Michael Lee...................... The Abbot
Lisa Lu .............................Shi's Mother
Wu Hsing-kuo.................... General Shi Yan-sheng
Zhang Fengyi.................... General Huo Da
Year of release: 1993
In the
age of one of Chinas most glorious dynasties, the Tang,
a great general, Shi Yan-sheng is persuaded by another, Hou
Da, to murder his lord. His guilty conscience (and his mother)
forces him to execute Hou Da in revenge for this treasonous
crime, which prompts Hou Da to reveal Shis complicity
in the crime. Banished, Shi retreats to a monastery. However,
being a proud and worldly man, he finds the life of humbleness
and self-denial rather irritating and boring, more than once
causing havoc in his disobedience of the head abbot. However,
his past comes to haunt him, with the inevitable tragic consequences.
Lush and
sensual, Temptation of a Monk is somewhat perplexing
for me. The motivation of the characters seems rather strange,
their puppet strings clumsily pulled by the whims of some
unknown command, shallow yet mysterious at the same time.
For me, Laws work here shows similarity to various works
of other Chinese directors, such as Chen Kaige or Zhang Yimou
(whose epic historical dramas are preceded by this film),
She seems to be making an attempt to prove herself as a director.
I dont know why she would need to, still, perhaps its
like actors needing to prove they are actors by
performing Shakespeare at least once in their lives (or in
this era, to play a gay character with at least one homoerotic
sex scene); so it is that Chinese directors need to scratch
that itch to make an epic film set in Chinas distant
past with big swords, hair and high Shakespearean tragedy.
Starting off with a large focus, halfway through the focus
drops from the large canvas of wars and political intrigue,
and onto the trials and tribulations of one man, causing a
somewhat awkward shift in perspective and tone.
I am inclined
to think that Law has strayed from what she does best, still,
theres no denying shes made a jolly good and interesting
bash at the historical epic genre. Weird costumes, knobbly
headgear, harsh obtrusive makeup and fantastic colour-soaked
scenes and generous application of filters create a weird
surreal image of China that is almost unrecognizable as indigenously
Chinese. All this doesnt serve to bury the inconsistencies,
confusion (Joan Chen appears twice in two roles, that as the
runaway Tang princess who loves the general, and as an aristocratic
widow who tempts him into what could really be his fatal last
bonk) and obscure plotline of the movie, as we struggle to
empathize with a fickle-minded man whos fallen down
so many times in his penance that youd wonder why he
bothers. All around the general, violence and sex swirl about
him like giggling ghosts, staining his hands as fast as he
could wash them. What this film is trying to say is ultimately
lost. Law has made a valiant attempt to get there but doesnt
quite reach it.
Review
by Eden.
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