Here
is an unabashed, 100-watt melodrama, and it comes not from
Hollywood, but from Israel. The Summer of Aviya, from 1988,
has numerous elements that would be right at home in a big-budget
picture: it is a story about a troubled yet not-so-troubled
family, the protagonist is a child who is far too imaginative
and cute for the world of average children, and her main goal
is a search for a missing parent. And lots of things happen
which are guaranteed to either tickle or annoy the audience.
My verdict is that this film was rather enjoyable. A lot of
this probably has to do with environmental circumstances.
The last two films I viewed were dour French dramas, The Dreamlife
of Angels, and Will It Snow for Christmas?, and The Summer
of Aviya is far less cerebral and a lot more emotional. Right
from the first shots, it is clear that there will be a mixture
of sentiment and giddiness.
The
setting is a few years after World War II, and Aviya has been
staying for an undetermined amount of years at a boarding
school, as her mother has been holed up in the hospital, apparently
for some sort of mental issue. What is known is that her mother
had been in a concentration camp during the war, so clearly
this brought about her mental state. Aviya says on the narration
that her mother never comes to visit her, and just as school
is about to end for another year, she expects that to happen
again. But suddenly, she appears, in a scene which demonstrates
this films attempts at broad and cute humour, during a school
play. The shock of seeing her mother is too much for Aviya,
and so she loses her voice during a crucial musical number,
causing laughter for the audience attending the play, frustration
for the teacher, and embarrassment for Aviya. Aviya`s mother
seems offended at the rigidity of the school, represented
by the angry teacher, and pulls her out to return to her to
the old village.
Now
that Aviya is back at the old neighbourhood, she suddenly
is faced with the need to have questions answered about her
past. She clings to old, faded pictures of her father, and
wants to know the truth about him. The mother says that he
died during the war, and that's the end of discussion, but
Aviya does not believe this, and when a new neighbour arrives
in town, her imagination is inflamed with possibilities. The
new neighbour seems like a classy sort, working as a banker,
and certainly appears like the sort of man whom Aviya would
like to be her father. She attempts in many ways possible
to justify her belief, but things do not go as planned.
The
story hinges upon Aviya's belief that this man is indeed her
father, but other things occur which affect her, and they
have something to do with intolerance. Of course, she is mocked
by the other kids for having a crazy mother, and for just
being the new kid on the block, but she is also attacked by
others: a dance instructor and her mother. Aviya finds her
way into one of Maya's, the dance instructor's classes, and
really wants to be a part of it. But she is not dressed for
the part, and the old mother sees this unpolished girl with
contempt. Aviya's revenge is amazingly brutal, as she throws
a stone at Maya's face, which requires surgery and the possibility
of blindness in her left eye. What is interesting is, even
though Maya acts as mean as her mother before her injury,
Aviya tries to correct her wrong, and also, Maya turns out
to have a good heart, and become a friend of sorts to Aviya,
who visits her everyday at the hospital. It is evident that
Maya's mother is the true enemy, conditioning Maya to hold
an elitist attitude, even as Maya really does not want to
be dictated by her mother. I'm not quite sure what the meaning
of this sub-plot is, but it is suitably dramatic, and assists
in the film's climax.
Another
hidden element in the film is the apparent unsuitability of
the mother to raise Aviya. She seems too angry and desperate
to be able to raise a child. Before Aviya hurls the stone
to Maya's eye, her mother loudly proclaims that Aviya run
back to Maya's house and basically tell her what a bitch she
is for not allowing her daughter to be in her class. And,
to Aviya's embarrassment, her mother throws a birthday party
for her, and when nobody shows up, essentially forces villagers
to come in and enjoy themselves, dammit!
A
lot of the points made in the film are rather fuzzy, which
didn't entirely damage my enjoyment of the film. What is the
relationship between the neighbour and the mother? Is he really
Aviya's father, or is he someone else entirely? What exactly
happened in the final scenes? Aviya doesn't really know the
truth, but, then again, she is too young to understand, so
our confusion is the result of experiencing the point-of-view
of a young girl who is not mature or knowledgeable enough
to understand the complex webs that adults weave. I sort of
hope that the sequel, Under the Domin Tree, will answer some
of these questions for me, but, overall, The Summer of Aviya
was a nice little movie, with a suitably cute performance
by the lead child actor.
David
Macdonald
David
Macdonald's Movie Reviews
|