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                   Cast 
                    Frankie Paige (Patricia Arquette)  
                    Andrew Kiernan (Gabriel Byrne) 
                    Cardinal Houseman (Jonathan Pryce) 
                    Donna (Nia Long) 
                    Jennifer (Portia de Rossi) 
                    Steven (Patrick Muldoon)  
                    Directed by Rupert Wainwright Written by Tom Lazarus and Rick 
                    Ramage 
                    Rated R for intense violent sequences, language, brief nudity, 
                    and sexuality Running Time: 102 minutes Distributed by MGM 
                     
                     
                  Stigmata 
                    is an overly directed and lost film. Frankie Paige (Arquette) 
                    is a young and wild atheist hairdresser in Pittsburgh. After 
                    receiving a dead priest's rosary as a gift from her mother, 
                    who was vacationing in Rio de Janiero, Frankie's life changes. 
                    Brutal attacks by an unseen assaultant begin to take their 
                    toll on Frankie. A Vatican Cardinal (Pryce) sends Father Andrew 
                    Kiernan (Byrne) to investigate. Right from the first encounters, 
                    Andrew and Frankie spark. Upon witnessing some of the violent 
                    assaults and unexplainable possessions, Andrew tells Frankie 
                    she has the Stigmata. This is when very holy Christian people 
                    are faced with the same five brutal wounds that were given 
                    to Jesus during his crucifixion. As Andrew and Frankie begin 
                    to get closer and closer, Andrew becomes more concerned with 
                    saving her life, than researching her actions and following 
                    her demands. 
                  Stigmata 
                    is filmed in a medium that it should not be in. The film was 
                    advertised as a scary thriller, with relations to The Exorcist. 
                    This story is not suppose to be scary, it is suppose to be 
                    at some moments thrilling and dramatic. However, this film 
                    gets so quick and noisy that it just fades away from being 
                    a good film.  
                  Stigmata 
                    was under the direction of Rupert Wainwright. Stigmata is 
                    Wainwright's first feature film after previously directing 
                    music videos. Music videos are probably what Wainwright should 
                    have stuck with. He developed Stigmata totally like a loud 
                    rock music video. There are too many repetitious quick cuts 
                    and annoying symbolic elements. Wainwright uses over 10 shots 
                    of water dripping at some point in Stigmata. He also filters 
                    in many shots of pigeons, candles, and crucifixes. Wainwright 
                    should have just calmed down a little bit from the entire 
                    alternative and crazy direction and taken a modest and simple 
                    approach to Stigmata. 
                  As 
                    I said before the music in the film is very heavy and becomes 
                    very irritating. The score to the film is even annoying, it 
                    is techno music, in which neither the music nor the score 
                    contributes to the film. The composer and soundtrack producers 
                    should go do some work on a sequel to Spawn instead of this 
                    film. 
                  The 
                    acting in the film is effective. Patricia Arquette is pretty 
                    strong as the sacrificial Frankie. Gabriel Byrne is outstanding, 
                    as always, as Father Andrew Kiernan. In addition to these 
                    two lead performers, veteran actor Jonathan Pryce, who plays 
                    the mysterious Cardinal Houseman, delivers a steady performance. 
                  The 
                    script for Stigmata becomes irrelevant and unreliable. The 
                    character development is the strength of the script, but the 
                    actions developed are thrown in the story. Why develop a romantic 
                    tension between Frankie and Andrew? His job is to investigate 
                    for the Catholic Church, not to fall in love with a person 
                    that is totally against what he believes in. I guess the writers 
                    were shooting for the opposites attract theme, but it just 
                    doesn't work in Stigmata. 
                  Overall, 
                    Stigmata became an irritating film, full of too much symbolism 
                    and very weak direction. It is like watching a music video 
                    for nearly two hours. 
                  Report 
                    Card Grade: D 
                  Beastman's 
                    Movie Reviews  
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