Here
is a film which deals often quite frankly about the experience
of one particular teenager. Slums of Beverly Hills contains
material which may appear to be offensive, maybe even controversial,
at least to conservative minds, but, overall, the depiction
of the characters in the story are fairly accurate, and the
presentation of the material is more matter-of-fact than exploitive.
The movie is pretty ribald, but I`d hesitate to call it gross
or vile. Eccentric may be the proper term. For example, the
main character, a teenage girl, suddenly experiences a blossoming
of her body, enough so that she is far past the stage of needing
a training bra. There are many references to what she sees
as her misfortune, which are certainly not always tasteful
or in seriousness, but these are certainly not beyond reality.
I don`t doubt that certain reactions and jibes like the ones
coming from her older brother have been said by other like-minded
individuals. There is a rather odd scene or two involving
a vibrator, but that isn`t beyond reality either. And there
is a tendency for Marisa Tomei to lose her clothing, which
ends up becoming a running gag of sorts. This is rather silly,
but nudity is not gross.
The
film`s title is in reference to the sort of lifestyle in which
the teenage girl`s family experiences. They live a nomadic
life, moving from crappy apartment to crappy apartment in
the areas surrounding 1970`s era Beverly Hills, while always
dreaming of a life of luxury. In the process of relocating,
the children speak knowledgeably of the wonderful mansions
of famous stars as they pass by. This sort of lifestyle is
not a great one, but the father, played by Alan Arkin, does
not want to give the children the impression of ill-luck;
rather, he emphasises the positive. They live in Beverly Hills,
after all, and are close to a fine public school system. Everything
else is just a minor mishap, like, for example, the apartment
they move into where the previous owners had left their cat
in the oven. You just got to roll with the punches.
A
few surprises are in store for this family, however. Arkin`s
niece, played by Marisa Tomei, shows up one day. She is not
a reliable person, is always stoned on a drug of some sort,
and is not above flashing herself in order to get a ride from
someone. When Arkin encounters her, he rightfully tells her
that she is making a mess of her life. One could easily say
the same about Arkin, who is not exactly a success either,
but no matter, soon he is able to convince her father (Carl
Reiner) that she will finally make something out of her life,
by going to nursing school. The father, Arkin`s brother and
a fairly wealthy individual, agrees that Tomei will stay with
Arkin and the family, and also pay for living expenses, provided
that Tomei stick with nursing school.
All
this is seen through the eyes of the main character, the daughter,
who is going through a personal crisis of her own. She has
basically become stacked almost overnight, and feels very
awkward about her own body, and everyone`s focus on it. She
is also entering the area of relationships and sex, especially
as a slightly older neighbour, who sells pot for a living,
becomes interested in her. The girl is not some flighty sort,
however, but is someone who has to survive in a tough world.
She has survived the constant moving around and lack of residential
and economic stability. But her next test is to survive her
adolescence, and to accept herself, which proves to be difficult.
Alan
Arkin, as the father, is rather interesting for me, as I have
him in my memory as the creep killer chasing Audrey Hepburn
in Wait Until Dark. His performance was cold-blooded, but
in this movie, he is the father who gives the appearance of
a down-on-his-luck sort of man who tries to give his children
the best life he can, even as they constantly move out of
run-down apartments, and have little money. Marisa Tomei....
I don`t know what to say. She plays a character who is often
stoned, who is not very bright, and who, overall, is not a
very impressive person. She does not seem like the sort who
can quickly get her life straightened out, and one can pretty
much guess that she will not last long at nursing school.
Natasha
Lyonne is very good as the focal point of the drama. Her voice
is tough, exuding a defiance and a bitterness at this unstable
world. On the issue of her body, she sees her large breasts
as a sign of deformity, not sexiness. She sees the negative
aspects of blossoming sexuality, such as the stares from people,
including her brothers, as well as the advances of guys, such
as her new neighbour, and you can`t help but to sympathise
with her. The changes in her body disturb her, just as the
changes all around her do as well. She tells her neighbour
that they cannot get serious in their relationship, as it
is only "a building thing", a statement which applies to all
areas of her life, which consist of a constant uprooting of
belongings and residences. Nothing is stable in her life;
at least, this is what she believes. The suddenly placement
in a nicer apartment, paid for by Arkin`s brother, and the
prospect of Tomei actually doing something good for herself
are glimmers of hope and stability. But even this is extremely
fragile.
Overall,
this is an interesting movie. It is far more mannered and
realistic than teen movies usually are, and what teenagers
may see as the film`s selling points - the ribald humour -
is actually a lot less gratuitous and more insightful at times.
As well, Lyonne is a great newcomer, and it is nice to see
such veterans as Alan Arkin and Carl Reiner together as well.
David
Macdonald
David
Macdonald's Movie Reviews
|