The
film Erin Brockovich dealt with a woman who dug for some dirt
on a chemical company's practices and discovered that they
were polluting the water so much that many citizens were deathly
ill, and ravaged with numerous forms of cancer and other disorders.
The victims were soon able to win a large cash settlement,
but the real focus of the story was on Brockovich and her
aggressive personality. Without Erin (or Julia Roberts), there
would be no movie. Silkwood is also about a situation in which
a company dealing with dangerous material (in this case, a
nuclear plant) is also corrupt in its dealings, risking the
lives of its employees, and possibly the community. But Silkwood
is the story of ordinary people, and how one of those people
reacts when discovering the truth.
Meryl Streep plays Karen Silkwood, a employee at the nuclear
plant (which handles plutonium), who, at the beginning of
the movie, tries to maintain her personal life while working
long shifts at the plant. She is a divorcee, now living with
a new boyfriend played by Kurt Russell, and with a lesbian
friend played by Cher, and as the film begins, she desperately
tries to get a shift switched with somebody else so she can
visit her kids, who are with her ex-husband. After giving
a few sob stories, she is granted the switch by another employee.
When she returns, she learns that the plant was closed down
for the weekend due to a contamination, and rumours abound
that Karen was the culprit, for not having been originally
granted her days off from the bosses. This turns out to be
the least of her problems with the company.
Soon
Karen is contaminated, and then becomes curious, then concerned,
about how safe the plutonium really is. At the same time,
there is an upcoming vote on whether to keep the union at
the plant, and the union brings in safety experts to paint
a horrific picture of the potential dangers at the plant,
thereby ensuring a vote in favour of retaining the union.
Karen soon becomes an active member of the union, investigating
possible dangers, lies, corruption, what have you, so she
can report back to the union head office. But instead of gaining
support, she is accused by her co-workers of putting her nose
in where it doesn't belong, and possibly risking their jobs.
Her own boyfriend leaves her because he cannot deal with his
woman becoming immersed in union politics. And the company,
obviously, grows increasingly afraid.
Fans
of Brockovich may be intrigued by this movie, although the
result is something less slick and grandiose, and far more
low-key. Silkwood is much about Karen's everyday life as it
is about her investigation, and often the two sides collide.
One good thing about Silkwood is that the big movie stars
don't upstage the film's realistic environment. The story
is about average joes and janes, nobody glamourous. The three
big stars mingle with the locals as if they were part of the
town, and rarely look out of place, especially as the direction
(by Mike Nichols) takes a laid-back approach. Cher especially
looks particularly unglamourous. As with many films of this
type made during the 70's and 80's, Silkwood resembles a documentary
more than a flashy film production. That quality may be a
detriment to some, as the story meanders along, switching
back and forth between Karen's personal life and her life
at the plant, and with the union. Nothing is solved at the
end, either, as we could take it two ways. Maybe the company
was corrupt, or maybe Karen herself was a pawn in the union's
own opportunistic games. Or maybe both. In any case, Karen
was a victim of something.
The
way the film suggests the dangers in the plant is subtle but
sinister. There is something almost violating about the showers,
used to wash the contamination away from those who come in
contact. It's one thing when we see the first person in the
showers, though - at that moment, it appears understandable
that safety officials would haul her in, strip her and scrub
her down as she screams in pain - nothing else can be done.
But when Karen not once but a number of times experiences
this situation, you feel that there is more than an unavoidable
physical violation at work, especially when she gets conflicting
reports of the amount of poison in her system. And there is
also a tragic feeling when inspectors tear apart her home,
looking for the source of her most recent contamination. You
see them removing every single object from the house, bagging
it and throwing it into canisters, and it just feels like
another violation.
The
film is actually fairly ambiguous in terms of who the villains
really are. It is easy to say that the company as an entity
is the bad guy, no questions asked (Brockovich had no problem
in making that claim), but when you see all of the people
involved and exactly all of the actions they take, it is just
as possible to say that they merely follow orders, or, in
some cases, are genuinely doing their job. As far as I'm concerned,
the only real on-screen villain is Craig T. Nelson's character,
a cool, heartless-seeming individual who has the most to lose,
if it is true that he does indeed doctor certain photographs.
Even then, the actor does not overdo the role. Maybe the character
is just doing his job as well, and doesn't want to lose it.
And it is not as if the union is pure as the driven snow either.
Of course, they will never say that the company does anything
properly, because then what use would the union be? And Karen
actually has an affair with one of the head members (Ron Silver),
which, obviously, further drives a wedge between her and Russell.
Silkwood
is often too laid-back to feel very powerful or assertive,
but, then again, the movie is meant to be a portrait of regular
people, not a simplistic good-guy/bad-guy morality tale. There
is a lot to think about in this movie, but don't expect it
to give you any easy answers.
David
Macdonald
David
Macdonald's Movie Reviews
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