One
of the great romantic comedies is William Wyler's Roman Holiday
(1953), starring Audrey Hepburn and Gregory Peck. The film
is perfect in nearly every way, managing to be both bittersweet
and charming at the same time.
Hepburn
plays a princess on an official tour of Europe, and who makes
a stop in Italy; Rome to be precise. As is customary, she
presides over a gathering of dignitaries, and is introduced
to each one in a very long list of individuals. After this,
she must rest up for another very long day, with yet more
meetings, appearances, and photo ops. But the princess is
growing increasingly angry at this regulated, suffocating
lifestyle (amusing dialogue about how she should wear what
she wants in bed), and wishes to have some time for herself.
So after the official gathering, she simply flips out, requiring
her mistress to call the doctor for a tranquillizer. But before
the drug kicks in, she is able to cleverly sneak out of the
building, sneaking a ride in a produce truck. Now she is in
Rome, with nowhere to go.
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But
somebody eventually does find her. It's Gregory Peck, playing
a reporter stuck in a place without exciting news. He finds
her on a park bench, in a state which he thinks is drunkenness,
but which is actually the grogginess from the tranquillizer.
He attempts to take her home, but she keeps mumbling that
she is staying in the Coliseum, which can't be right. So,
reluctantly, he takes her to his apartment to let her sleep
on the couch. Little does he know that this will turn from
a drunk sleeping on his couch to the biggest scoop of his
life. He finds out her identity from his boss, who shows him
her picture splashed across the front page of the local newspapers,
with the headline that the princess is ill. It's that drunk
woman sleeping on the couch! Peck keeps this fact to himself,
but bets his boss that he can get an exclusive interview with
the princess. The boss accepts, knowing there's an extra buck
to be made for Peck's failure to follow through.
Peck
must do everything to keep her in sight. This builds up to
the main sequence, when, after having followed her through
town, he meets up with her, pretending to have just been surprised
at running into her again. In a mutual deception, Hepburn
tells Peck that she has run away from school, while Peck tells
her he is a salesman. The catch is that Peck already knows
the truth, but Hepburn doesn't. Peck offers her a tour of
the city and its sights, and she accepts. As the day moves
on, however, Peck begins to see her less and less as a great
scoop, and more as a real, and wonderful person. He grows
conflicted between his heart and his desire to move up the
job ladder.
This
is a cute and charming movie, much like the immortal Hepburn.
She renders both fear and happiness at her boldness at running
away to enjoy a brief foray into the ordinary person's life.
The title is appropriate, as this is a unique adventure for
both main characters, and we can't take for granted that the
romance will be forever. The romance is great, however, and
includes a number of classic scenes, from the scene with "The
Mouth of Truth", famous for Peck's ad-libbing the scene's
climatic event, the first moment in the apartment when a groggy
Hepburn thinks she is in her own bedroom (Hepburn: "I've never
been alone with a man before, even with my dress on. With
my dress off, it's MOST unusual!"), their love scene, after
an escape from an unexpected dance-hall brawl, and the final,
bittersweet scene. Roman Holiday is a classic example of old
Hollywood romance.
David
Macdonald
David
Macdonald's Movie Reviews
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