I've
seen many foreign films, but, as with American films, only
a few of them can be considered the very best of classics.
The Chinese film Raise the Red Lantern can be put onto this
list. The film is strong, mature, and well-crafted - even
as it tells a story which seems mere soap opera.
We
are introduced to a world which appears ancient, dated, peculiar
to our modern Western eyes. A rich and powerful man has many
servants and maids catering to his every whim. He also has
a number of wives, or maybe concubines would be a better term.
He treats these wives much like the other possessions in his
home, and forces them into a weird ritual, basically putting
on a big show every night after choosing the woman he wants
to be with. There are lanterns hung around each wife`s "house",
and the servants are asked by the man to light those which
hang around the house of the woman he wants to be with on
any given day.
A
new wife, Wife number four, enters the picture. Played by
Gong Li, she seems very reluctant to be a part of this arrangement,
but, defeatist, she claims that such servitude is the fate
of Chinese women. She enters into a household where tempers
and basic human nature boils to a fever pitch.
As
the new wife enters the manor, we see a glimpse of the personalities
she is up against. The first, old, wife seems to see Li as
a potential source of trouble. The second wife seems jovial
and accepting of this new person. And the third wife, a former
opera singer, seems very snobby, as she won`t even introduce
herself properly to this new person, and, on Li`s first night
with the husband, even calls him away on the pretense that
she is ill. It must seem clear from this paragraph where the
trouble lies, and that seems to be with the third wife. But
the story is not as simple as that. In fact, the third wife
may not be as much of a threat as first appears, and perhaps
another person, whom Gong Li would least expect, is much more
devious. The story develops with genuine intrigue, as numerous
betrayals, revealations, and backstabbings mount, leading
up to the shattering ending.
The
sub-text of the film is the fact that these women, with their
fighting over who will be with the husband tonight, and other
general attacks on each other, are only acting this way because
they live in a society in which women do not have very many
rights. Due to their lack of freedom, they fight for what
they could conceivably get, which in this case is the attention
of the husband and the privileges which go with being the
chosen one for the evening. One of the privileges is being
able to pick the food for the evening`s dinner, and in one
case the lucky woman gets back at Gong Li`s character by not
serving her enough vegetables, which is mostly all Li will
eat. Another situation which would normally seem very melodramatic
and trashy, but is important, is the fight to have a son by
the husband. The first and the third wives both have sons,
but the second wife has a girl, and soon develops an obsessive
hope to have a son. This would normally be pure soap, but
the truth of the matter is that girls are not desirable, and
the women do not want to lose favour by giving birth to a
useless individual. The second wife`s daughter is even referred
to as a cheap little girl. These cultural facts colour the
emotions on display.
Visually,
the film is close to perfection. The setting itself looks
great, and would seem like an awesome place to visit or even
live, if not for the systematic oppression which exists there.
The direction is subtle and stately, elevating the plot to
great heights. This is necessary, because without this, many
of the situations in this film would seem gratuitous. And
there are a few lurid and shocking events in this film, which,
in an exploitation film, for example, would be shown much
more vividly. But the story`s message does not lie in shocking
details, but in the environment in which the women live in
as a whole. The movie is not cheap, but very grand in its
storytelling and performances.
Raise
the Red Lantern is simply one of the great films. The story
works on two levels - as a classic soap, and as a glimpse
into how China treats its women. Such multiple levels of context
only enriches the entertainment value of the film, and is
certainly enough motivation for me at least to watch even
more films from China.
David
Macdonald
David
Macdonald's Movie Reviews
|