Starring:
Mel Gibson, Maria Bello, Kris Kristofferson, William Devane,
Gregg Henry, David Paymer, Lucy Liu, Bill Duke, John Glover,
Deborah Kara Unger, James Coburn Directed by: Brian Helgeland
Written by: Brian Helgeland and Terry Hayes
"Seventy
grand. That's what they took from me. That's what I intend
to get back."
The
man's name is Porter. "Does this Porter have a first name?"
a crime boss asks one of his henchmen, to which he shrugs
his shoulders. We don't know his first name, nor do we need
to know. He's just a criminal looking to get back his share
of heist money taken from him after the job was completed.
The
money is now in the hands of a criminal organization known
as "The Outfit". What exactly is The Outfit? Doesn't really
matter. The inner-workings of The Outfit aren't as important
as the fact that they are the ones holding the money that
belongs to Porter. The story traces his attempt to retrieve
his money - not his pride, not his dignity, not his principles
- just the money.
"Payback"
is a lean, tight action thriller. It was directed and co-written
by Brian Helgeland, who co-wrote "L.A. Confidential". He knows
exactly the story he wants to tell, and doesn't compound the
plot with a lot of other subplots. Anything that isn't directly
related to the retrieval of his money isn't dealt with here.
Even when Porter (Mel Gibson) looks up an old flame (Maria
Bello), it's not so much for romantic reasons, but because
he knows about her connections to The Outfit.
Helgeland
and his co-writer Terry Hayes have filled their story with
colorful characters and sharp dialogue, leading to many humorous
verbal exchanges. At one point, Porter holds a gun on Mr.
Carter (William Devane), a key member of The Outfit, has him
call his boss (Kris Kristofferson) so that Porter can fill
him in on the situation: "If I don't get my seventy-thousand,
I'm gonna have to kill Carter here." "Are you threatening
me?" "No, I'm threatening Carter."
Sure,
that's a throwaway gag line, but it's also interesting how
dialogue like that demonstrates the misperceptions everyone
has of this gutsy, headstrong, tenacious man named Porter.
Seventy-thousand dollars? Surely that can't be it. There must
be some other reason. How else do you explain someone crazy
enough to take on The Outfit? All of these questions and perceptions
are displayed through the use of some nifty dialogue which
also gets laughs from the audience. Good scripts are able
to do that.
But
perhaps even more important to the success of the film is
the performance by Mel Gibson. He has many funny lines, but
he plays them all straight. He has to play them straight.
The movie wouldn't work if his character realized what he
was saying and doing was funny. Somehow Gibson is able to
do this and remain likable at the same time. I can't think
of too many actors who could pull something like this off.
It's a terrific performance. The other performances are all
on the money as well, especially Lucy Alexis Liu, as an S
& M hellcat who gets turned on by any violent, blood-oozing,
adrenaline-pumping criminal act. (Boy, is she in the right
movie.)
All
of these elements conspire to make an intelligent, fun, crafty,
exciting film. Violent, yes. But this is a view from the inside.
There are no real "heroes" here. (At least, not in the traditional
sense.) It looks at a section of the criminal world from within
the very same world, and doesn't apologize for it. It simply
has fun with it. A lot of fun.
Copyright
2001 Michael Brendan McLarney Critically
Ill
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