Without
a doubt, The Other Sister is one of the most tasteless films
I`ve ever witnessed. I suppose it is not fair to all those
other tasteless films I`ve not seen yet, but I can certainly
make the case that it is only a little less tasteless than
Bubbles Galore, a really nasty little film supposedly about
women in porn. In this case, this is a film supposedly about
the problems of people suffering mental retardation, but the
only people suffering from this seem to be the writers, who
wrote this phoney melodramatic baloney. The casting directors
seem to have suffered from the illness as well, as they have
created possibly one of the worst casting choices ever, in
having Juliette Lewis and Giovanni Ribisi play these two disabled
people.
The
story deals with Lewis coming home after years of staying
in a school for the mentally challenged, and the resulting
tension between her attempts to reenter the real world and
her family`s, mostly her repressive mother`s (Diane Keaton),
concerns about how she will survive in that real world. This
tension comes at the worst possible time, as the parents have
already experienced issues and events surrounding Lewis`s
sisters: one is getting married, while the other one is a
lesbian who attempts to make her mother understand that fact.
Lewis
takes steps to slowly reenter society, and actually makes
it to a technical school, taking a computer course. During
her schooling experience, she meets another mentally challenged
kid, played by Ribisi. He certainly appears more disabled
than Lewis, as evident in his first scene, appearing as if
he is stoned and generally oblivious to the world about him.
At least Lewis is alert physically, if not always mentally.
Yet despite his apparent lack of mental consistency, he soon
becomes the girl`s friend, and later on, the two become lovers,
although not without controversy. (His marching-band fetish
certainly didn`t help!!) But the biggest controversy of all
is when Lewis discovers that Ribisi has an apartment of his
own, and so she wants one as well. Her mother is extremely
unwilling to allow this, and so falls into the same old threat
toward a grown woman of equating sex and violence: what if
someone breaks in, and what if you have a boy in the house??
Yet romance ensues. I think you can guess the ending from
here.
The
story as I`ve just described it could be made into an informative
story. The issues are certainly important to those with disabled
children. Yet the director Garry Marshall had decided to make
this into a poor and patently false movie. Absolutely nothing
in this movie feels real, which would be fine if it weren`t
in appalling taste. Lewis and Ribisi, in attempting to play
with a disability, talk as if their lungs and nose are clogged
with horrible piles of phlegm, and they say and do things
which appear to be an attempt to go so far over the top that
they could no longer see what was below them. Ribisi is far
and away the worst of the duo - he portrays his character
as a stuttering, pathetic child. His two worst scenes include
a scene where he drunkenly staggers out on to the street singing
"If you`re Happy and You Know it, Clap Your Hands.", as well
as his scene at Lewis`s sister`s engagement party, where he
interrupts to announce his love for Lewis, the highlight being
the night that they "did it". The resulting argument between
our two lovers is a high point in cinematic pain.
I
must say that I do not consider my insults toward these actors
playing disabled people to remotely resemble insults toward
actual disabled individuals. One must face facts: these are
merely silly actors, acting stupid. I doubt that real handicapped
people act this way: just look at the French film The Eighth
Day, whose star is an actual Down`s Syndrome sufferer. That
film was fairly silly and sappy as well, but the actual Down`s
Syndrome kid is about, say, fifty times more intelligent and
interesting than these stupid actors trying to play "beneath"
themselves.
Even
the other actors are terrible. Diane Keaton can only complain
about everything, and I do mean everything. Tom Skerritt,
as the father, must be singled out for the most physically
uncomfortable performance I`ve seen in a while. Either his
expressions scream out "I cannot believe that I actually am
embarrassing myself with this piece of excrement." or he is
severely constipated. And the two other sisters are completely
interchangeable; blonde, young, fresh, superficial ..... which
gave me a shock when I thought that was the engaged sister
who was in bed with another woman!
There
is also something about the sexual elements which are particularly
offensive, as if Garry Marshall, in an attempt to show off
his love of schoolboy humour, decided to justify using it
by making a bunch of silly handicapped people talk endlessly
about it. Like I said, the guy in The Eighth Day never acted
like this, and he was the real deal! I`ve never heard so many
expressions of "doing it" since, I don`t know, Grade Seven!
All the sexual content in this film is included solely for
cheap laughs, fully drained of insight. The worst is when
the two decide to sleep together, accompanied by Ribisi`s
beloved marching-band music.
But,
then again, Garry Marshall is a big twit, which is why he
will be remembered for his role of Stan on Murphy Brown rather
than as the director who made Pretty Woman and a bunch of
crap. He does not seem to want to tell a good story about
the problems and the experiences of disabled people. He doesn`t
know what he is doing. All he is doing is offending some of
the audience, and making the rest (myself included) roll around
the floor in nasty laughter. But then again, I did notice
that this film is in the Cult Comedy section of my local video
store, and we all know what good things happen to cult movies.
Maybe Garry Marshall does know what he`s doing!
David
Macdonald
David
Macdonald's Movie Reviews
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