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The
Mexican
Cast:
Brad Pitt...............Jerry Welbach
Julia Roberts...........Samantha Barzel
James Gandolfini........Leroy (Winston)
David Krumholtz.........Beck
Luis Felipe Tovar.......Luis
A
fairly well-known internet critic wrote a scathing review
of "The Mexican," dismembering it limb from cinematic limb.
At the outset of the review was the sentence "Expectations
are a terrible thing," apparently written without the realization
that lines of the sort are a true credibility-killer for critics.
Of course, we all have expectations. I'm not saying one
should lower their expectations in order to get the most
from a particular film. But it is possible for
a movie to not fulfill one's expectations and still be
a very effective film-going experience. "The Mexican"
is a movie like that. The film stars Brad Pitt and Julia
Roberts, two of the biggest names on the market today.
As some may already know, they don't share many scenes
together. But the movie works anyway. Why? Simply because
it's intelligent, witty, off-beat, and contains some marvelous
performances. It just happens to have two of the
biggest names in Hollywood headlining the cast. Seems
a bit unfair to hold that against the film, does it not?
Pitt and Roberts play Jerry Welbach and Samantha Barzel,
a young couple whose future happiness is put on hold until
Jerry can finish one more job for a crime kingpin currently
jailed but soon to be released. We learn that through
an unusual twist-of-fate, Jerry found himself indebted
to the crime boss. (A freak automobile collision between
the two men ultimately sent said boss to prison.) Upon
hearing the news that their future in Las Vegas will have
to be delayed because of this final job, Samantha becomes
furious and leaves for Vegas without him.
Jerry's assignment is to travel south of the border into
Mexico and retrieve a legendary gun known as "The Mexican."
The antique weapon is said to be linked to a curse that
encumbers anyone whose hands grasp its ivory handle. Throughout
his journey, Jerry is told various accounts of the curse's
origin. But the variegated accounts aren't quite as foreboding
as the disasterous effect the curse has on Jerry himself.
His car is stolen, his passport is lost, and more and
more shady characters slither out from the woodwork, all
eager to possess the mysterious antique.
Meanwhile, Samantha has been kidnapped by an ominous henchman
known primarily by his reputation alone. His name is Leroy
(James Gandolfini) and he has apparently been sent by
the crime boss as a kind of insurance policy; a means
of making sure Jerry completes the task before him. While
Leroy's presence is forbidding at first, his tough demeanor
is soon melted by the plucky and inquisitive Sam. After
a short while, they are actually able to come clean regarding
their deepest insecurities in the way they approach romantic
relationships. Not the kind of development one would expect
from a hostage situation.
Unexpected developments are at the core of what makes
"The Mexican" a fun movie. Naturally, I had a sense of
where the story would eventually wind up, although I wasn't
sure how it would get there. Writer J.H. Wyman puts his
characters through some rather unusual situations yet
is wise enough to give each individual an added dimension
- allowing those involved to think their way out
of the mess facing them. The circumstances surrounding
Jerry and Samantha are certainly unorthodox, but their
reactions to it are equally unorthodox, resulting in a
story not marred by heavy-plotting or laborious developments.
Director Gore Verbinski ("Mousehunt") handles the movie
with a very smooth touch, realizing the story's need to
be completely divested of narrative rigidity. A film like
this needs to maintain a kind of ebb-and-flow tempo, and
Verbinski leaves just enough room for this to happen by
giving the actors free reign to create some quirky, intense,
emotional, curious, and thoughtful characters.
Brad Pitt plays Jerry as a lovable lummox living his life
like someone trying to navigate a maze in total darkness;
bumping into wall-after-wall yet methodically making his
way through it. He's not the sharpest of tacks and his
life isn't blessed with lucidity, but he's a good soul
who desperately wants a happy life with his one true love.
I can't think of too many other actors who could pull
off the "aw, shucks" persona of Jerry Welbach as endearingly
as Pitt does. Upon first glance, the role of Samantha
seems like the most thankless one. An early scene where
she unloads a gamut of verbal bullets at Jerry from atop
a balcony feels a little familiar. But Julia Roberts injects
her character with a sizeable degree of intelligence and
sensitivity. She knows Jerry so well, in a manner that
he will never comprehend. That very knowledge is the fuel
that ignites her insanity and solidifies her own incredulity
as to why she actually loves this guy. But love him she
does, and hopeful she continues to be. The most interesting
character is Leroy, the henchman with a clever mind, a
quick wit, and a heavy heart that he eventually lightens
by granting Samantha permission to understand his emotional
demons. James Gandolfini (HBO's "The Sopranos") is a marvelous
character actor who has made a career out of playing tough
guys and plays one again here, yet one with secrets beneath
the surface that are slowly peeled away, revealing a surprising
amount of depth.
I suppose for some, expectations are indeed a terrible
thing. At least if they serve as a blockade toward one's
appreciation of something that may not fit the exact mold
of said expectation. The main virtue of a movie like "The
Mexican" is the fact that it doesn't fit a particular
mold; the fact that it takes pride in being quirky and
unusual; and the fact that it makes no apologies in doing
so.