Once in
a while, you stumble upon such greatness of emotion that you
are left speechless. This is what happened when I first saw
Canadian director Lea Pool's first venture into English language
cinematography, LOST AND DELIRIOUS. Actually, I had to see
it twice to be sure to find the right words to express the
quality of this film.
Something happened in the theatre when I first went to see
this film, something that I had never seen in all my movie-going
life. As the last words were spoken on the screen and the
credits started to roll, not a sound could be heard in the
room. Not one person got up to leave. It was like everyone
was finally able to breathe. About 100 people simply sat there
in complete silence. Two men beside me were teary-eyed. It
may sound like I'm exaggerating but believe me I was just
as stunned. Usually when the credits start and the music begins,
people are already heading for the door, but in this case,
it was like time had stopped. If anything, this is an indication
of just how moving and brilliant this film is. The movie,
which premiered at this year's Sundance film Festival was
an instant critical favorite, rated four stars by many of
the critics at the Festival.
Susan Swan bases the film on the novel "The Wives of
Bath" with a script by Judith Thompson. The movie is
about Mouse nicknamed Mary Brave (Mischa Barton), the cautious
rich Victoria (Jessica Paré) and her best feisty rebel
Paulie (Piper Perabo) who is also Victoria's best friend and
lover. The premise might sound a bit uncertain at first, but
don't let it fool you. While some people might take a step
back when they hear of lesbian love being the basis of the
film, one has to be open minded enough to appreciate the quality
of emotion that the film and the performances provide. Actually,
as the movie progresses and we get to see the depth of the
characters, we actually forget that the story does not conform
to the 'norm'. It might sound cliché to say that, but
it's true. The film is so refreshing and beautifully done
that the love story comes across as the most innocent and
pure of all. You forget that it's a girl loving a girl. It
could have been a boy and you wouldn't see the difference.
That is how powerful this film can be. If you can get passed
the fact that the movie takes risks in that way, and if you
are open minded enough to appreciate a love story told from
a different perspective, then this movie is definitely a must
see. I will admit that I wasn't sure about the film before
seeing it, but five minutes into the movie and I knew that
it was nothing short of a masterpiece on many levels.
Although the film is about three girls, it centers mostly
on Paulie, beautifully portrayed by Piper Perabo. The most
remarkable thing about this movie has to be Perabo's eye-opening
and vivid performance.Her emotionally draining portrayal of
Paulie's pain and despair is a far cry from her previous work,
such as Coyote Ugly, in which she mostly had to just look
cute and sweet. In this film, she is asked a lot as an actor,
and trust me, she delivers. The truest words of the film come
from Paulie's mouth and Perabo utters each and every one of
them with depth and intensity. Her performance is a reminder
of Angelina Jolie in "Girl Interrupted" and Hilary
Swank in "Boys Don't Cry", blended with a touch
of her own. She conveys Paulie's self-destruction with incredible
strength and her presence on the screen is surprisingly outstanding.
Whether it is her metaphorical friendship with an eagle, or
her moments of outburst, every scene is vividly acted by Perabo
and her co-stars. Her facial expressions and tone of voice
sometimes whispers, sometimes full rage -- are painfully gut-wrenching
in many ways.
"If it sees too much, it gets freaked out and flies away."
Paulie about the eagle.
These words, spoken by Paulie earlier in the film are an indication
of what is to come. Often enough, the dialogue spoken in the
film has many meanings and this one is a great example. Paulie
is talking about the bird but she might as well be talking
about humans. The conversation is about the bird seeing through
its cage and freaking out, which is exactly what happens in
the beginning of the film when other girls at school "see
too much" of Paulie and Victoria's relationship. And
Victoria is the one to be freaked out. This brings me to one
of this film's good qualities, the dialogue. The words seem
to stay on your brain hours after the film has ended. From
the scenes in which Paulie recites Shakespeare at the top
of her lungs or the ones in which she tells a shy Mouse (whom
Paulie calls Mary Brave) to "Rage more". Especially
the "Rage more" quote, which automatically becomes
Paulie's motto in the film. It may be the context, in which
the words are spoken, or simply the way Perabo conveys these
two simple words that make it so unforgettable and poignant
but it just is.
Mouse: "You are a girl in love with a girl, aren't you?"
Paulie: "No. I'm Paulie in love with Tory. Remember?"
If anything, this is the core of the film. To Paulie, it's
not about sex. It's not about "the norm". It's about
love. You love who you love and she is unapologetic about
it. It's about a love that goes far beyond sexes and boundaries.
I guess this is what makes the film so intense Paulie's conviction
and belief in true love. One of the most wonderful things
about Perabo's performance is that you are captivated by it,
in the sense that you never quite know where she is going
next.
Another thing that is very interesting is the different friendships
formed between the three girls. Mouse's friendship with Paulie
once Paulie goes down on a self-destructing path is remarkably
touching in a very subtle kind of way. What the outside world
sees as a self-destructing path, Paulie considers to be a
path to freedom, and Mary understands that. All the different
relationships and friendships developed beautifully and it
pulls the viewers in perfectly. You care for these people.
You root for these people. You laugh and cry with them, and
mostly, you feel their pain and motivation throughout the
film.
Accompanied by a delicately moving score, the film is a jewel
in itself. It is an exquisite piece of art due to the fact
that this is how Lea Pool shot it as an art-piece almost.
She made this film the same way one who create a sculpture,
making sure that every curve is perfect. Visually, this film
is perfection in itself. It is visually very personal, in
the sense that most of the key scenes are shot very close
to the skin, using close-ups. This adds a lot to the story
in many ways. Even the love scene is shot in a tenderly manner,
which differentiates from the usual sex scenes we often see
in movies.
It is a haunting movie, with depth and incredible emotions.
If I had to pick of the best movies I have seen so far, this
would surely rank at the top of my list. Lost and Delirious
is inspiring, but most importantly, it's so beautifully told
that it leaves you speechless. I know I was. I recommend this
film to anyone who likes thoughtful filmmaking with depth
and intensity. This is one of the best films I have seen.
It deserves all the praises it's getting. I highly recommend
it.
Paul Ferris
Wheel
Deal Review
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