Starring:
Chris Cooper, Kris Kristofferson, Matthew McConaughey, Elizabeth
Pena, Ron Canada, Joe Morton, Miriam Colon, Clifton James,
Frances McDormand Directed by: John Sayles Written by: John
Sayles
At
the beginning of John Sayles' "Lone Star", we see two men
out in the Texas desert. One is admiring the local plant and
cactus life. The other makes a remark about how barren the
land is. "What do you mean? There's plenty of life out here.
Sure, there are cactuses, but there are different kinds of
cactuses. There are so many different kinds of plants. You
just have to look harder," replies the other. Indeed we do.
And indeed we will. Not with the Texas plant life, but with
the generations of people who have lived in the small town
nearby. Just as plants are an integral part of the earth,
so are these people. It's a wonderful setup, starting us on
a journey in which we will learn about these people; who they
are, how they think, what they feel, and how their actions
will affect the lives of those who will one day live the breathe
the same air. "Lone Star" is a film that provides us with
the most precious of cinematic gifts: something to think about
long after we've left the theatre. It is quite simply John
Sayles' finest film.
The
story is fueled by a mystery. Skeletal remains are found just
outside a small town near the Texas/Mexico border. Also found
with the remains is a sheriff's badge. It's up to the local
sheriff, Sam Deeds (Chris Cooper) to investigate. He already
has a hunch as to whom the remains belong to. Most of the
town has a good idea as to whom the remains belong to - that
of Charlie Wade (Kris Kristofferson), a vicious and brutal
man who was sheriff several years back, and who mysteriously
vanished during his reign of terror. Sam also believes he
may already have the answer to who killed him - Buddy Deeds
(Matthew McConaughey), one of Wade's deputies who became sheriff
after Wade disappeared. Buddy Deeds also happened to be Sam
Deed's father, and passed away shortly before the story takes
place. Did Buddy kill Charlie Wade? Sam certainly has his
suspicions. Perhaps many of the townspeople have their suspicions
as well, although they are not as vocal in expressing them,
mainly because Buddy was the most respected sheriff the town
has ever had. Everyone in town remembers Buddy Deeds as a
legend - except Sam, who remembers him as a kind of tyrannical
shadow that he could never get out from under. The people
in town are aware of Sam's feeling of resentment toward his
father, and in response, are somewhat resentful of him. (In
one scene, Sam arrives at the doorstep of an older woman and
says: "Hello ma'am. It's Sheriff Deeds." And she replies by
saying: "There is no Sheriff Deeds anymore. You're Sheriff
Junior.")
In
addition to conducting his investigation, he gets back in
touch with an old high school girlfriend (Elizabeth Pena)
whom he never fell out of love with, even after all the years
that passed. Her feelings for him have never dwindled, either.
They rekindle an old flame that has managed to stay brightly
lit through all the dark moments the two of them had been
through in those years apart.
The
film also shows us the lives of so many other characters.
We meet Otis Payne (Ron Canada), the owner of the only local
bar which accepts African-American patrons. His bitter son,
Delmore (Joe Morton), an army colonel who is not happy at
all about being reassigned to nearby Fort MacKenzie, too close
to his father who abandoned him as a child. Mercedes Cruz
(Miriam Colon), a woman whose husband was killed by Charlie
Wade long ago, and who seems to blame herself for falling
in love, rather than the man responsible for her husband's
death. Hollis Pogue (Clifton James), the mayor who may know
more about Sam's investigation than he is letting on. And
Sam's ex-wife, Bunny (Frances McDormand), whose manic-depressive
state may have resulted from a husband never there for her
emotionally.
The
mystery has a whopper of an ending, but it's not really the
mystery that is at the heart of this film. It's the characters
and how they relate to one another. Thus, the performances
have to be right on target, which of course, they are. Chris
Cooper is saddled with perhaps the most thankless role; a
good deal of the time he simply pokes around town, asking
questions, continuing his investigation. His most shining
moments come in his scenes with Elizabeth Pena. The two of
them together are terrific, particularly in the scene where
they dance to their favorite song as teenagers, in the dining
room of her mother's restaurant. Kris Kristofferson, with
his rugged facial features and raspy voice, creates a character
in Charlie Wade whose evil seems to come not from anything
in his past, but directly from the pores of his very existence.
Ron Canada and Joe Morton make a convincing father and son
who have not spoken in quite some time, yet they only have
one scene together. Their defining moments come in separate
scenes - for Delmore (Morton), it's when he confronts a cadet
who tested positive for drugs. He asks her why she joined
this army, and gets a brutally honest answer. For Otis (Canada),
it's in a nice scene where he talks to his grandson for the
first time.
John
Sayles seems to have a knack for juggling many characters
and subplots and never losing track of the story he is telling.
("City of Hope" is another brilliant example.) Here, he manages
to do that as well as use flashbacks to take us back to the
events of the past that will shape the actions and attitudes
of those in the present. He has so much to say, yet has figured
out a way to say it so it creeps into our conscious mind long
after we've seen his films. His movies are so unassuming,
yet they never fail to leave some kind of an impact on my
mind. The more I think about it, the more I get out of it.
I can't ask for much more out of a film.
Copyright
2001 Michael Brendan McLarney Critically
Ill
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