Countries
outside of North America have a knack for producing films
about children which take the time to reveal the complexites
of such kids. While Hollywood dumbs down to kids, with silly
"family" movies, European and other world films actually create
characters out of children. Francois Truffaut made a number
of classics about kids, such as The 400 Blows and Small Change.
And such films as Ma Vie En Rose, The Spirit of The Beehive,
and one of my favourite films, Ponette, also give us interesting
characters. The Chinese film The King of Masks also gives
us a facinating child character, but it does double duty by
also giving us a glimpse into the harshness of Chinese society.
An
old man practises a dying art form, which involves paper masks,
and sleight of hand, allowing him to put on and take off these
masks with such speed and surprise that the audience cannot
begin to guess how he does it. As a street performer, he depends
on appreciation of his skill, not showy extravagence. But
the cultural surroundings are changing, and people like him
are not nearly as facinating to as many people anymore. Yet
he still clings to the old ways, wanting a son whom he can
teach his dying art. This "son" does not necessarily have
to be aquired by traditional methods, not in such a poverty-stricken
and morally corrupt region, as the old man passes by hordes
of adults, claiming to be parents but possibly criminals,
selling children at any price to those who want them. The
old man takes one child, who apparently has been abused by
former owners, and is striken on hearing about such pain.
The man intends to someday teach the art of masks to the son.
But, in a rather unique revelation, it is soon revealed that
this boy, the old man`s greatest wish, is in fact a girl.
Suddenly, everything changes.
This
film exposes the brutal and unyielding patriarchy of Chinese
society, which seeps into virtually every character. We understand
what is really going on when finding out the boy is really
a girl, after having just seen the old man see the bruises
over "his" body. The girl wasn`t beaten because she had a
terrible father, but because she was a girl, plain and simple.
And while we have the impression of the old man as a kind
and gentle soul, the fact is that he is a part of this society,
and does not question it. He specifically demands a son, because,
as far as he`s concerned, only boys are allowed to learn such
vital tasks as learning how to make paper masks and impress
an audience. So when he does find out the child`s true sex,
he doesn`t become sympathetic, but enters into the process
of abandoning her to the world, in a wrenching scene. It is
only due to an accident, in which the child nearly drowns,
that the old man ends up attached to her again. Even then,
for much of the film, he still wishes for a boy he can call
his own.
As
well, the justice system takes a real licking. The old man
is arrested in connection with a string of child kidnapping.
I won`t reveal the excat event which causes this arrest, but
it is apparent that he is arrested without a proper trial,
or even evidence that he committed anything. In fact, the
officals even say to themselves that they will put all the
charges on his head, possibly to ensure that the citizens
will be comforted by the government`s swift handling of the
case.
Merely
as a study of a child character, this film ranks right up
there with Ponette. The child who played Ponette was only
four, and the girl in our film isn`t much older; both of them
are very impressive. There is little doubt that the kid is
capable of performing; she, after all, is a pivitol character.
And, as a side note, she is also quite skillful in non- acting
endeavours, during a section of the film in which she performs
acrobatic feats for the audience. She has a lot of powerful
moments, from the scene in which her "grandpa" sails away
without her, to the climax, which is melodramatic, to say
the least, but is certainly quite fitting and touching as
well.
This
is one of those unique films, in that it is both bitter realism
and, eventually, heartwarming. This is certainly a decent
enough film for families who actually like foreign films,
as it is relatively mild (except for a couple of profanities),
it deals, on the surface, with children, and teaches the lesson,
which even in this era still needs to be stated in many a
children`s show, that girls can do anything that boys can
do.
David
Macdonald
David
Macdonald's Movie Reviews
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