Director:
Clara Law
Actors:
Annette Shun Wah, Annie Yip, Anthony Wong, Edwin Pang, Cecilia
Fong Sing Lee, Toby Wong, Toby Chan
Country:
Australia
Like
The Joy Luck Club (1993), Floating Life deals with the immigrant
story, and is narrated by the characters of the film, this
time, the children of the immigrant family. The Chan family
decides to move to Australia, joining their eldest daughter
who seems to have done quite well for herself, having acquired
a husband, a successful career and big house in the suburbs.
Their other daughter, played by Annette Shun Wah, is also
well established, but in Germany with her husband and daughter.
Their eldest son decides to stay behind in Hong Kong, to make
as much money as possible, before eventually joining the rest.
The film starts off with a light tone, playing with the comic
situation that arises from a stranger in a strange land. Their
first impression of Australia is a place filled with killer
dogs, deadly UV rays and other horrors, and at times the film
is surrealistic - especially with the strange re-occurrence
of a lone kangaroo that Mr Chan keeps seeing everywhere. Mon,
the eldest daughter, takes it upon herself to integrate her
family into Australian life with all the drive and determination
of a Nazi camp commander - whether they appreciate it or not.
However,
the film gradually shifts into serious mode, as actions that
seemed comical at first now have tragic consequences. Clara
Law manages to handle this transition quite well, so you don't
have the odd feeling of disconnection that other films have.
The movie highlights the disorientation and alien-ness of
the new land to an immigrant with the use of filters and camera
angles that highlights the moods and landscapes - the vastness
of space of Australian suburbia contrasts strongly with the
busy, congested familiarity of Hong Kong. Films about the
immigrant experience are nothing new, but Clara Law's interpretation
in this method actually tries to convey to the audience just
how things look through the eyes of a new arrival. The cast
is made up of a lot of first-time actors, and though sometimes
it is evident that some of the cast members are not native
Cantonese speakers, the acting is of excellent quality. Mrs
Chan's emotional and heart-breaking appeal to the family's
ancestor spirits for help in saving her family is intensely
moving, and serves to highlight the importance of old traditions
in sustaining those who have chosen to settle far from their
homeland. A beautiful film of honesty and heart.
Eden
Law
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