Director:
Xiaowen Zhou Cast: You Ge (Gao Jianli), Wen Jiang (Ying Zheng),
Qing Xu (Ying Yueyang) Country: China
A
movie with as much melodramatic flair as the amount of money
thrown behind its making, 'The Emperor's Shadow' is short
on subtlety, but manages to awe with a world as alien and
exotic as any produced for a sc-fi movie. A fictionalised
account of the tempestuous relationship between the First
Emperor of China and his court musician, it could also be
seen as a comment on censorship and artistic freedom, something
which reputedly hampered the film's release on its native
soil.
Ying
Zheng is an absolute monarch, demanding and receiving total
obedience from all before him, except two people: his precocious
daughter, Yueyang, and his court musician, Gao Jianli. Though
Ying Zheng indulges his daughter, it seems that he has more
of a familial relationship with Gao Jianli, the only other
person who dares to challenge him, though often at the risk
of his own life and limb. Gao opposes every attempt by Ying
Zheng to control him artistically, something that baffles
a man whose whim is law. It is almost like a relationship
between a strict parent and a strong-willed child, though
the punishment meted out here is more severe - Gao is blinded
for one digression, for instance. Yueyang also defies her
father, and her betrothed husband, but in her case, it is
for love for Gao. However, it leads to a much more fatal result.
Everything
in this movie seems imbued with a sense of otherworld-ness.
This is a China I've not seen before, an archaic China tinged
with strange, wild passions, unlike the dignified and demure
standard of behaviour more acceptable in the culture today.
Wen Jiang plays his Emperor with a fascinating mix of inhumanity
and vulnerability, and only Yueyang and Gao seems allowed
to express anything resembling a functioning human being (and
then again, only just). This is a film rumbles with all the
gusto of a good melodrama, set against a sumptuous canvas
of storytelling.
Eden
Law
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