Director:
Chen Kaige
Actors:
Gong Li (Raise the Red Lantern) Li Xuejian (The Blue Kite)
Zhang Fengyi
Country:
China
This
is a really big film. It sprawls across the movie screen as
only a big historical epic can, a bit like a luscious Reuben-esque
woman on a couch. To start with, it deals with story of the
first Emperor of China, Ying Zheng (Li Xuejian), and his obsessive
ambition to unite the seven kingdoms under his rule. Gong
Li plays his lover, Lady Zhao, who goes to rather extreme
lengths to put into motion a convoluted plot to subjugate
the Kingdom of Yan. However, Ying Zheng's ruthlessness shocks
even Lady Zhao, and she falls in love with a reluctant assassin,
played by Zhang Fengyi. In the end, Ying Zheng achieves his
ambition, but at high personal cost.
The
vastness of this film almost covers up its flaws - not that
there are many, but the motivation for the characters' actions
are rather obscure and the story is a bit confusing. There
is much here that is alien to a western audience - not necessarily
bad, but it does serve to muddle the story a bit when you
have these other flaws together. But - this is a really big
film. Physically, it is sumptuous - the battle scenes are
spectacular, creating a sense of movement and emotion that
only hundreds of real people in ancient armour (recruits from
the Chinese army) bashing each other, can really create. The
research gone into the costumes, buildings, customs, etc serves
to create a world as unfamiliar and strange as any sci-fi
or fantasy world ever seen on screen.
The
First Emperor looms large over subsequent generations because
of his profound influence on China. He standardised the Chinese
written script, weights, measurements and created a powerful
government over a vast land filled with a myriad of different
cultures, and also built China's most identifiable monument,
the Great Wall. However, he was one of the most hated rulers
in China's history as his neuroticism, paranoia and ruthlessness,
at the very least, put off some people. Li Xuejian's Ying
Zheng here is portrayed as a very human man who seems inadequate
on the surface, but hides the kind of steel which can order
the slaughter of hundreds of children to force an enemy state
to capitulate. Unlike the First Emperor portrayed in "The
Emperor's Shadow", this First Emperor is perhaps not quite
right in the head. Gong Li's Lady Zhao gives the melodrama
needed
for her role, and though generally excellent, it seems that
sometimes even she wonders what she's doing. Zang Fengyi's
transformation of his character is perhaps one of the more
better performances in this film in terms of character development.
Overall, this is an epic film, hardly disappointing, but its
flaws make it a less than perfect film.
Eden
Law
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