Most
foreign films banish themselves to somewhat weak distribution
or treatment, simply for the fact that these films have those
damned subtitles on the bottom of the screen. The companies
which dare to release them to the world are either small yet
devoted companies, like New Yorker Films, or small subsidiaries
to larger corporations, like Disney`s Miramax. The films themselves
usually do not get preferential treatment, such as expensive
remastering, either, for the small companies, due to the cost
of such an undertaking, or, for bigger studios, due to the
belief that it would be a waste of time to work on a film
which nobody will see anyway.
This
cannot be said of the new edition of the 1981 German film
Das Boot. Not only is it a remastered film, but it is also
reissued by Columbia Pictures. Such a thing is possible, no
doubt, because the director is Wolfgang Peterson, responsible
for In the Line of Fire and Air Force One, big action hits.
Watching this reissue is like watching any other reissue by
the Hollywood studios, as it contains a lot of technical improvements,
such as a new sound mix, and a general cleaning-up of the
picture. Das Boot looks brand new, and, befitting an action/war
film, almost as slick as numerous Hollywood releases. If it
weren`t for the subtitles, it might have been a hit. The most
significant improvement in this reissue is the addition of
one hour of new footage, never before seen in theatres. This
massive amount of new footage is possible because Das Boot
was actually a six-hour German TV mini-series, which tells
us that this "director`s cut" is still not complete.
The
film recounts the German experience during World War II, specifically
the crew of a German submarine. The storyline is almost entirely
focussed on the mission of this crew, as we are witness to
the agony and the terror, as well as the frequent boredom,
of underwater combat. There is an actual witness of sorts,
in my view, at least, and that is in the character of the
Lieutenant, who is introduced as a person invited by the sub`s
captain to see and record what a real underwater mission is
like. The lieutenant, a rather uptight and squeamish sort,
ends up experiencing much harsher events than he would have
expected. Besides the lieutenant, there are other characters
on the sub who personify a cross-section of the types of people
who are thrown into war.
I
must admit that I was a bit weary during the viewing of this
picture. The film`s length (3 hr. 30 min.) is somewhat unusual
for what is generally classified as an action film, and not
everyone will want to read subtitles for that long either.
The film does tend to drag, during the first half, at least,
even as it does successfully capture the intense boredom followed
by agonizing attacks in which there is no guarantee of survival.
The action scenes are also a bit unusual at first, since they
are not "exciting" or "exhilarating" in any way that I (as
one who spends more time with foreign or classic films than
with action flicks) am used to. Most of the action set-pieces
are very long, filled with shocks, surprises, and panic, yet
without the sense that they merely exist to give us a charge.
Perhaps it may be because there is no guarantee that our heroes
will win.
Now,
"heroes" is a very interesting turn of phrase, since we are
dealing with German soldiers in the worst war known to humankind.
But, of course, this film is not pro-Nazi, or even very patriotic.
It`s not even pro-Allied in any clear sense. It is purely
defeatist. The film gives us the facts first: most of the
soldiers on German subs died in the war. And the story suggests
that many of these soldiers really had no choice but to fight
and die for someone as evil as Hitler. The older, world-weary
participants of war know this, and feel only pity for the
young men who actually believe that they are fighting for
something noble. An old drunken captain, at the soldier`s
get-together, probably sums it up best when he sarcastically
claims that the abstaining, womanless Hitler is the greatest
war strategist in the world. To go further, he could say that
Hitler is responsible for what occurs in situations like the
ones in this film. He is responsible for the lives uprooted
in order to fight for his cause. He is responsible for putting
many lives in constant, painful jeopardy. And he is also responsible
for creating the situation where Germans are forced to kill
people from other countries, total strangers, just so the
German elite have something to brag about.
As
I`ve said, the film tends to drag a bit from time to time.
But Das Boot still manages to present both a well-produced
war picture and a depiction of the ultimate hopelessness and
tragedy of war.
David
Macdonald
David
Macdonald's Movie Reviews
|