'Cut'
is an energetic piece of work which reeks of future cult followings.
But don't be deceived by the presence of pop legend Kylie
Minogue and 80's bratpacker Molly Ringwald, because 'Cut'
is, in effect, not much better than recent US slasher efforts.
Raffy
and Hester are two Film students who are determined to finish
'Hot Blooded', a notorious film which the university professor
does not want them to touch. The production of 'Hot Blooded'
is steeped in mystery. A decade ago, the director (Kylie Minogue),
before shooting the climax scene, had her tongue gouged out
by the actor who played the murderer - Scar Man - in the film.
Since then the unfinished movie was shut up in a cabinet.
The pair successfully win the rights to continue shooting
and go about gathering a film crew (knife fodder) and begin
to shoot 'Hot Blooded's final scenes at the original location.
Little do they know that someone, or something, is planning
to stop the film from being completed yet again.
The
main problem with 'Cut' is budget and dialogue. The movie
is bursting with clever ideas and interesting concepts yet
hardly any reach their full potential: they all end up being
hurled into a muddled mess, they play no part in the plot
and are sometimes never explained! The idea that all the creative
energy that went into 'Hot Blooded' is what created the killer
is a great one, yet this is never built on. The audience are
forced to believe this revelation in the final minutes of
the film without any explanation! Other interesting plot points
are Raffy and Hester's bisexual shenanigans, which although
well shot, serve no purpose other than to scream to the audience
"Bet you haven't seen this in a horror movie before!". We
are also told that Raffy's mother was the original director
of 'Hot Blooded'. Not only was this pretty obvious to the
viewer in the first place, but Raffy, played by Jessica Napier,
is a criminally underwritten role so we don't even get a smidgen
of suppressed emotion nor any acts of revenge. Sarah Kants
as Hester gets more screen time and perky dialogue eventhough
she is hacked up halfway through the movie. It is in fact
Hollywood veteran Molly Ringwald, the boisterous, fading star
who returns to the set of 'Hot Blooded' to finish her scenes,
who gets the juicy one-liners. Like Napier, she has limited
screen time yet its almost as though she is highly aware of
this and thus gives her all. As a result her amusing performance
almost single handedly saves the rest of the amateur cast
from looking foolish. As for Kylie Minogue I'm afraid her
acting is strictly by the numbers, but she looks great glammed
up in dowdy 80's costume. As for the fodder, and the body
count is a healthy number, they are a curious mix of the ugly
yet likeable, the pretty yet dull, and the annoying yet, well
just plain irritating. Even Scar Man, who only gets to talk
until the final reel, resembles Freddy Krueger too much for
the audience to take him seriously.
The
script appears to have been hacked up by Scar Man himself.
Is 'Cut' trying to be individual and inventive by seperating
itself from the 80's slasher genre or is it rejoicing in it?
I ask this because aside from all the ironic quips and 'Do
horror movies affect our psyche?' discussions, numerous members
of the film crew still do stupid things. Chief fool is in
fact cocky Hester who, because there is a weak reception on
her mobile phone, ventures out into the dark woods (!) She
then has a hacked up member of crew fall on her from a tree,
of all places (in true 'Friday the 13th' 'stumbling across
the victim' style). Of course, she runs in the opposite direction
of the film set and straight into the arms of Scar Man. After
scrambling about in the earth rather than actually using her
legs to escape, she opts to hide in a shed stacked full of
deadly garden weaponry, faffs about in the dark for a while
and duly gets her head lopped off despite having several pointy
things to defend herself with.
Scatty
acting, wasted ideas, and an average screenplay (peppered
with lazy ironic quips) are all the result of a small budget
and little time. With more planning, a thoroughly worked out
script and a few actors instead of unknowns dragged out of
the local YMCA would have hauled 'Cut' out of a difficult
rut. This is really a shame as it reflects badly on Molly
Ringwald who has made a valuable contribution to the movie.
Now,
I know I have made many critcisms about 'Cut' but let me assure
you there's still a lot of fun to be had. Thank God for the
SFX team and Kimble Rendall. The aforementioned directed 'Cut'
and has made the final product look clean and stylish. Memorable
moments such as the internet 'surf' sequence where the audience
is thrown into the net and sites documenting the murder of
the 'Hot Blooded' director are splashed all over the screen
to the sound of heavy metal, is intriguing. You can tell that
this scene came from the mind of a music video maestro. On
the other hand some moments let the film down. Occasional
poor lighting I can handle, but offing an important character
(when they can't be bothered to spend a bit of cash on a gory
special effect) by giving her a heart attack is scandalous!
Another aspect of the film that is refreshing are the excellent
special effects, and the ones used here either belong in a
sci fi or a monster movie. Wholly unexpected in a horror movie,
the effects go happily hand in hand with the gore, which is
also very good quality. One yucky scene in particular has
a police officer impaled on a garden tap. There are also plenty
of convincing decapitations and even a bunch of immolations.
The
directing, SFX and Molly Ringwald almost make up for a dry
script, a few dozy characters and lost potential but as a
whole the film stands up very well and is a good effort for
a first time film director. It is no surprise therefore that
the film was sold to almost every country across the globe.
Furthermore, as the amusing final seconds of 'Cut' have told
us, a sequel is in the works as we speak, which will most
probably have a healthier budget and box office.
Simon
Savory
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