Kirsten
Dunst... ...Nicole Oakley
Jay Hernandez... ...Carlos Nunez
Bruce Davison... ...Tom Oakley
Lucinda Jenney... ...Courtney Oakley
Rolando Molina... ...Hector Nunez
Taryn Manning... ...Maddy
Joshua Feinman... ...Football Player
Keram Malicki-Sanchez... ...Foster
Directed by: John Stockwell
Written by: Phil Hay and Matt Manfredi
Rated PG-13 for mature thematic elements involving teens,
drug/alcohol content, sexuality and language
Running Time: 1 hour, 35 minutes
Uncovering A Need For Acceptance
She is the seventeen-year-old troubled daughter of a wealthy
liberal Congressman. He is a bright, focused, straight-A Latino
student who begins each day with a two-hour bus commute from
East L.A. to the prestigious high school in her exclusive
suburb. They are immediately drawn to one another, as their
contrasting backgrounds prove no match for their insatiable
curiosity.
Upon first
glance, "crazy/beautiful" seems to be a typical
story of young love. The pieces are all in place: two star-crossed
lovers from opposite sides of the tracks, a good-natured but
increasingly distant father unsure of how to reach out, and
the family members and friends who express concern regarding
the budding romance. However, the movie is much more observant
than most. Phil Hay and Matt Manfredi's screenplay doesn't
make the two leads into a picture perfect couple kept apart
by outside influences. Each character is saddled with flaws,
but are also aware of their flaws, and that's what keeps them
fenced in emotionally. The objections of those around them
are a mere footnote when dealing with self-esteem issues.
The troubled
teen's name is Nicole Oakley (Kirsten Dunst) and she spends
her school days anywhere but in school ... drinking, partying,
and getting into all sorts of trouble. The quiet, handsome
straight arrow Carlos Nunez (Jay Hernandez) first catches
sight of her at the beach where her most recent bout of mischief
has resulted in garbage-collecting community service. An attraction
immediately exists, but is approached a bit more cautiously
by Carlos. "Just don't play me, alright?" he asks.
She assures him, but we wonder if her interest is bred from
her rebellious attitude. Whether it is or it isn't at first,
it nonetheless transforms into the kind of love that eventually
forces those involved to reevaluate who they are, who they
can be, what they owe to the world around them, and perhaps
most importantly, what they owe to themselves.
The least
flawed of the characters is Carlos, and the story is viewed
from his perspective. The remaining characters start out as
enigmas, and steadily materialize as the young honor student
learns more about them. We know Nicole has a strained relationship
with her father (Bruce Davison, in a marvelously subtle and
complex performance), but when we first see him, we do so
through Carlos' eyes. He's a good man. Stern, but good. He
doesn't house an immediate suspicion of his daughter's new
boyfriend, although he does make an initial blunder in assuming
he's the housekeeper's nephew. Upon learning of Carlos' dream
of becoming a military pilot, he offers to assist. Carlos
is in the position of seeing the good in both daughter and
father, and is essentially the catalyst that helps bring the
two together.
Kirsten
Dunst made a huge splash onto the acting scene at the age
of eleven playing a pubescent creature of the night in Neil
Jordan's "Interview With a Vampire". Her career
has since included a wide range of movies, including "Little
Women", "The Virgin Suicides" and "Bring
It On". This could be her most challenging role to date,
as she is not simply playing a distraught teen, but one who
is viewed in completely different lights by different people.
Carlos is captivated by her vitality and beauty while her
father is confused and heartbroken by her actions. Dunst skillfully
creates a character searching for her own self-worth through
the prism of those who love her. Fairly new to acting, Jay
Hernandez displays a delicate mixture of caution and curiosity.
And Bruce Davison masters the complexities of the father,
showing him as a political pugilist whose standards of excellence
make him a powerful figure in his line of work, but sadly
alienate those who rely on him for unconditional love. Tragedy
hits a high note when he tells Carlos to avoid his daughter
not for her sake, but for his.
The director
is John Stockwell, a former actor (he was the shaken Navy
pilot Tom Cruise and Anthony Edwards had to help land at the
opening of "Top Gun") who douses his films in vats
of moral complexity. His behind the camera forays include
extensive work for HBO, from writing the docudrama "Breast
Men" about the rise and fall of the inventors of silicone
breast implants to directing "Cheaters", the story
of a real-life Chicago english teacher who persuaded his students
to cheat in the 1995 Illinois Academic Decathlon. Here, he
allows his story to learn about the characters right along
with the audience. The movie's main virtue is that it observes
the situations and comes to its own understanding, and refuses
to dictate the message.
Copyright
2001 Michael Brendan McLarney
Critically
Ill
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