Bubbles
Galore is a film so shockingly bad, it gives amateur films
like Clerks and Go Fish the aura of being directed by David
Lean after discovering he had more brilliant visual ideas
after his labour on Lawrence of Arabia and The Bridge On the
River Kwai. It makes Kevin Smith seem like Alfred Hitchcock.
It makes Fran Dresher seem like Katherine Hepburn. It makes
Adam Sandler seem like Cary Grant. Bubbles Galore is indeed
that bad.
And
this after the biggest Canadian film controversy ever, when
our Parliament discovered its film agencies gave 125,000 dollars
to a "porn film". Sheila Copps, Heritage Minister, vowed to
make sure the guidelines for giving money would be more stringent
in future. Critics were calling for an end to subsidizing
films completely, as this was proof that these plans don`t
work if they fund any piece of junk which doesn`t satisfy
the public interest. My feeling was that, what was such a
big deal over a film which sounded as if it were an artsy,
female version of Boogie Nights? That film was about porn,
and it received three Oscar nominations.....so why wouldn`t
Bubbles Galore be any different? Sure, the title`s cheesy,
but a government wouldn`t be that stupid as to fund a XXX
film. The fuss grew so large, Showcase bought the rights to
film in order to cash in. I decided to watch some of it. And
the verdict......the title is cheesy, and the government would
be that stupid as to fund a XXX film.
The
film deals with the title character, played by porn superstar
Nina Hartley, who in this film is also a porn superstar, ready
to go into business for herself, much to the chagrin of her
ex-husband, who proclaims it was he who made her a star. A
woman arrives in Bubble`s life, proclaiming she`s a virgin,
and yet wants to perform in Bubble`s porn films. This of course
requires some initiation, including steamy sex scenes involving
the two women, a staple in all porn films.
We
also meet an old former "stud" named Buck, and who dresses
just like Jon Voight`s Joe Buck from Midnight Cowboy. His
attribute is his incredibly long penis, which, I`m afraid,
no longer does the job anymore (and which, I`m afraid, we
witness in clear detail). There is a strange apparition, complete
with her orgasmic minions, who says the most ridiculous phrases
in such a dreamy, weak, airy way that it is not a surprise
this character is credited with the name of God. We also,
I guess, learn that the ex-husband wants to get rid of his
opposition by putting them into a snuff film. I say guess
because halfway through I just gave up, after a painful montage
which included the ex`s bodyguards trying to pull poor Buck`s
manhood off (and again in clear detail). What the hell was
going on here????????
I
was witnessing a piece of crap, that`s what. The filmmaking
is cheesy beyond compare. It was shot in a Hey-guys-I-just-bought-a-Camcorder-how-about-we-practise-with-it-to-see-how-it-works
kind of feel. I have a feeling that 99% of the budget went
to Hartley, who is probably smart enough to know that would
be the only reason she`d appear in this film. Video is not
a good thing in a film, usually. It only gives the production
even more cheesiness than it wants. The acting is also terrible.
Hartley sounds like a bad girl trying to sound cute. Her female
lover`s scenes seem like they were placed in the film despite
the fact she flubbed most of her lines on the first take.
The ex-husband is wooden. Buck is no Jon Voight. The film
tries to be artsy and eccentric, but I`m reminded of all those
other porn directors who desperately want to be taken "seriously".
They figure anything peculiar is a sign of talent, when they
forgot that first you must have talent.
There
is a lot of sex in this film, and is done in such a way that
would be labelled as pornography, and very close to hardcore
at that. A scene near the beginning involving the ex and his
willing female slaves performing fellatio on him certainly
looks real to me, and the lesbian love scenes have the attention
to detail porno is known for. And, like I said, Buck`s manhood
in on visual display. Sex is quite fine to show in a movie,
but it is rare that I see a film about sex that actually has
any charm. Sirens, Bliss, When Night is Falling, and even
The Piano, are films I`d call "erotic", yet actually are entertaining
and adult enough to justify the stuff we see in them. They
actually are created by people who strive to write decent
stories, and who just happened to pick such a touchy topic
for a work. Talented people worked on them, and skill was
used in the film. Bubbles Galore has no intellegence or wit
whatsoever. It`s the sort of film rednecks may enjoy, because
for them it has comedy (Look at the size of that dick), romance
(We just enjoy scenes of gorgeous lesbos making out) and action
(slap that dyke and show her whose the man around here). But
for those of us with at least an IQ of 1, all of what I just
mentioned borders on the sick. A film describing itself as
sexy and with the scenes I`ve described contained within is
very disturbing once you think about it. It`s a cheap thrill.
Some people may be turned on by the villian of the piece because
he has nameless bimbos around him. It`s a porno film so whose
to know what the difference is between what`s good and bad?
The
shame is that a movie about a female porn-star would be interesting.
It would be about time to see a psychological portrait of
such a character in a male-dominated industry. But this film
missed that chance. It ripped us taxpayers off with the promise
of an interesting film, and spent it on something that private
porn firms do all the time.
David
Macdonald
David
Macdonald's Movie Reviews
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