Cast:
Pilar Padilla...............Maya
Adrien Brody................Sam
Elpidia Carrillo............Rose
Jack McGee..................Bert
George Lopez................Perez
Alonso Chavez...............Ruben
Monica Rivas................Simona
Frankie Davila..............Luis
Directed by: Ken Loach
Written
by: Paul Laverty
Rated
R for strong language and brief nudity
Running
Time: 1 hour, 50 minutes
"Bread
and Roses" tells the story of a fiery young Mexican woman
who arrives in Los Angeles as an illegal immigrant, finds
work as a janitor in a downtown high rise, is subjected to
horrible treatment by the building management, then joins
a crusade for unionization. The main question some viewers
might have is: why should I care, let alone root for an illegal
immigrant who is fighting for higher wages and better working
conditions? Such criticisms are indeed warranted, but also
overlook the realization that our economy depends on people
willing to work for substandard wages.
The
politics of British director Ken Loach ("Ladybird Ladybird",
"Riff-Raff") are distinctly left-wing, but he's
a very perceptive filmmaker who fully understands the complexities
and dangers a labor strike could have. For a movie documenting
the efforts at gaining rights via unionization, it's somewhat
ironic that the most powerful scene is a declaration against
the union. More on that later.
The
woman's name is Maya (Pilar Padilla) and after fending off
"coyotes" who smuggle immigrants for money, she
shows up on the doorstep of her older sister, Rosa (Elpidia
Carrillo). Rosa works as a janitor; she has two children,
a chronically sick husband (Jack McGee) and clings mightily
to her paycheck, small as it may be. Initially, Maya finds
work at a sleazy bar. She hates the job, and pressures Rosa
to find her employment as a janitor in her building. She is
eventually hired, although her boss is well aware that she
is "illegal" and wastes no time in taking advantage.
Maya is required to give up two months salary to her lecherous
supervisor just for giving her the job. The hours are long,
the pay is ridiculously low, and the workers endure constant
verbal attacks.
Then
one day, Maya meets an engaging young rebel named Sam (Adrien
Brody). Sam is a union organizer and explains that union janitors
enjoy higher wages, paid vacations, and medical benefits.
To help prove his point, he cites a statistic: In 1982, union
janitors in Los Angeles were paid $8.50 per hour. In 1999,
non-union janitors were paid $5.75. The workers are convinced.
They
join the "Justice for Janitors" campaign, participating
in demonstrations, meetings, and marches. The decision does
carry a sizeable degree of repercussions. Maya's sudden cognizance
of empowerment is undermined by both her sister's resistance
to the union as well as her best friend's hesitancy in engaging
in demonstrations; he is saving for college, he argues, and
doesn't want to jeopardize his future.
It
is Rosa's defiance that cuts the deepest. The movie's most
powerful moment comes in an argument between Maya and her
older sister. Maya unleashes a verbal tirade against Rosa
upon learning of her sister's alliance with management. Rosa
fires back by coming clean regarding her own methods at providing
for her family. She heartbreakingly recounts stories of selling
herself to obtain the money needed for food, clothing, and
shelter. She even confesses sleeping with the supervisor to
help Maya get the job.
The
movie is not dumbed down into a management=bad, union=good
scenario. Workplace relations are obviously more complicated,
as there are unions who are equally corrupt as some forms
of management. The screenplay by former human rights lawyer
Paul Laverty (who also penned Loach's "My Name Is Joe")
is wise in not making the character of Maya into a simple
token for the film's message. While her tenacity is the driving
force behind the story, it is also her basic human flaw. When
their situation becomes grim, she engages in dubious actions
that will inevitably come back to haunt her. The film handles
the character of Rosa with equal consideration, not undercutting
her reasons for remaining loyal to the forces that both feed
her family and drain her self-respect. The "good fight"
has its share of opponents, many with understandable reasons.
Newcomer
Pilar Padilla does a skillful job of conveying Maya's constantly
changing perspectives as she grows more aware of the complexities
surrounding her situation. As the emotionally drained Rosa,
Elpidia Carillo turns in an Oscar worthy performance as a
woman whose painful past maintains a permanent grasp on her
psyche, constantly influencing her life choices. Adrien Brody
("Liberty Heights", "Summer of Sam") injects
his character with a tigerlike tenacity coupled with an infiltrating
charm. Sam knows how to fight, but does so while employing
a high level of ingenuity.
"Bread
and Roses" tells a captivating story not about glamorous
individuals who seem right at home lighting up a movie screen,
but rather about the kinds of people that come in and out
of our lives often without us noticing it. Real people, with
real hopes and real concerns. It's a movie that pays homage
to individuals in many ways are just like us. Imagine that.
Copyright
2001 Michael Brendan McLarney
Critically
Ill
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