On
the fairly reasonable advice from my lesbian friend, I decided
to rent a movie that she described very affectionately and
absolutely insisted I view - Better Than Chocolate. This film
is a recent entry in the sub-category of lesbian cinema, which
includes such films as Show Me Love, When Night is Falling,
Go Fish, and others. These films are important in some circles
because they are from the point of view of lesbians, and show
us a lifestyle in a more frank way than what would have been
deemed acceptable even ten years ago.
Unluckily
for my friend, she will now have to read this damned review,
which, unfortunately, will not proclaim that any greatness
was found in said product. No doubt a lot of this was because,
as usual, I hyped myself up for greatness and was doomed to
be disappointed. But while this film is far from bad, and
is not offensive by any of my standards, the best I can say
about Better Than Chocolate is that it is average.
The
main story is about Maggie, a college dropout and impoverished
soul who is so broke she has to sleep in the gay bookstore
(Ten Percent Books - how quaint) where she works. One day,
she gets a surprise call from her mom (Wendy Crewson), who
has recently divorced from her philandering husband (and Maggie`s
stepdad), and wants to move in with her for a while before
creating a new life for herself. This suddenly requires some
fancy footwork, as Maggie has to find a place to live. She
finds an apartment inhabited by a safe-sex consultant about
to go on a month-long seminar tour. Complicating matters is
that, of course, Maggie`s mom doesn`t know that she is a lesbian,
and, coincidently, on the very same day, she meets and quickly
establishes a relationship with Kim, a free spirit who literally
lives on the road, with her brightly painted van her only
home. Other characters include Judy (Peter Outerbridge), a
pre-op transsexual, and Francis, the somewhat mousy book-store
owner, who has to deal with the repressive customs agency
that repeatedly blocks gay-themed books from entering the
country.
Of
course, all of these characters mixing together sounds like
a fine recipe for screwball comedy, but it doesn`t cook very
well at all. The movie is not really funny, or convincingly
dramatic. The customs agency scenes are very timely, as the
real Supreme Court of Canada has heard, and now decided, on
whether customs has routinely discriminated against gay book
stores, but the scenes depend on stereotypes of uptight agents
(including one who stammers on "anal sex"), and are very one-sided.
(The fact is, it`s not as if this bookstore sells family material,
and the issue, brought up in the real court case in Canada,
of whether the sorts of porn they sell is in fact much more
extreme than straight porn is never breached.)
The
biggest problem, however, is the lead couple. I could not
care for them very much at all. The screenwriter throws them
together, yanks them apart without conviction, and reunites
them for an awkward and oddly violent ending. But..... who
are these people??? Maggie is a university dropout, Kim lives
in a van, Maggie is very cute, Kim is one hot chick (okay,
that`s just my subjective opinion, there!), and they have
great sex, of course. But they are not really very interesting,
which makes the whole "love" idea pointless. They say they
are in love, and are nervous about revealing their love to
Maggie`s mom, but where is the evidence??
They
attempt to have sex in the van (before it is towed away, amusingly)
about ten minutes after they meet, they later blow the entire
paint budget in a scene which reminded me of the bad soft-core
Vivid, then later have really awesome sex on the couch, and
then later have sex in a public bathroom (this last one is,
I think, the only love scene which does not take place on
the same day). None of this is wrong, of course - that scene
on the couch would, in a different movie, be a great example
of passionate discovery, and even my friend said that this
was a passionate high point. But love - get real! I didn`t
believe it!
The
better scenes involved Judy, who actually strikes up a friendship
with Crewson`s character, although it`s too much for us to
believe that she would not see that Judy is a man. Hasn`t
she watched Jerry Springer? However, these two are more interesting,
as Judy discusses her love problems and Crewson discusses
her own disappointments in that arena. Even more intriguing
is the relationship between Judy and the bookstore owner,
who is lesbian. Judy obviously is attracted to women, not
what you`d expect in a transsexual, and this creates a problem
for Francis, who tries in vain to fend off her advances. These
elements are far more interesting than the main romance.
Another
point. For some reason, I feel discomfort when a fairly well-known
face engages in really sordid material. In this case, Wendy
Crewson (she played Tim Allen`s ex-wife in The Santa Clause;
a family picture, for God`s sake!!) finds herself with various
sex toys in a scene which, under no circumstances, should
be played at normal volumes when others are within earshot.
They will mistake it for a pornographic film, especially if,
after three minutes, the noises still do not stop!
So,
overall, the film tried, but did not succeed. It is not very
interesting for those looking for a complex and emotional
romance, and seems to be pitched at gays and lesbians as a
group, instead of pitching it at viewers wanting a story about
specific people. The fact that this movie exists at all is
evidence that gays and lesbians are now able to tell stories
about themselves, but, just as with any genre, group, etc,
etc, not every entry is a complete winner.
David
Macdonald
David
Macdonald's Movie Reviews
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