Julia
Roberts... ...Kiki Harrison
Billy Crystal... ...Lee Phillips
Catherine Zeta-Jones... ...Gwen Harrison
John Cusack... ...Eddie Thomas
Hank Azaria... ...Hector
Stanley Tucci... ...Dave Kingman
Christopher Walken... ...Hal Weidmann
Alan Arkin... ...Eddie's "Wellness Guide"
Directed by: Joe Roth
Written by: Billy Crystal and Peter Tolan
Rated PG-13 for language, some crude and sexual humor
Running Time: 1 hour, 40 minutes
Bitter "Sweethearts"
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Outside of being a long-time Hollywood studio executive, I
don't know a great deal about director Joe Roth. But the little
I do know helps, I think, to explain why "America's Sweethearts"
falls just shy of the comic mark. It's a movie in constant
contention with itself ... half pungent satire and half sweet,
heartfelt romantic comedy. The film wants to lampoon something
it also embraces. Directors like Robert Altman hold a distinct
hatred toward Hollywood that results in biting masterpieces
like "The Player." I sense that Roth might be a
little too close to the source material that makes up his
movie's would-be target.
Perhaps
"The Player" isn't really an appropriate comparison,
as the movie's main source of inspiration is the classic musical
"Singin' In the Rain." Borrowed elements are aplenty,
yet somehow "Sweethearts" lacks the confidence that
flowed from the 1952 musical.
The endeavor
brings together the talents of Julia Roberts, Billy Crystal,
John Cusack, and Catherine Zeta-Jones among others, but even
their combined brilliance isn't enough to rescue a film unsure
of what direction it wishes to take.
Two of
Hollywood's biggest celebrities, on and off-screen couple
Gwen Harrison (Zeta-Jones) and Eddie Thomas (Cusack) have
attained the unofficial status as America's Sweethearts. However,
their off-screen romance has ended, and their on-screen chemistry
is circling the celebrity drain. The premiere of their latest
film is rapidly approaching, but the movie's unorthodox director
(Christopher Walken) is still in the editing process. Added
to that is the fallout from the recent split between the two
leads. In danger of losing his job, veteran press agent Lee
Phillips (Crystal) is suddenly asked by the studio's extremely
nervous chief (Stanley Tucci) to mastermind one last public
appearance between Eddie and Gwen, despite the fact that neither
wishes to participate. A daunting task to say the least, yet
Lee has a secret weapon ... Gwen's sister, Kiki (Roberts)
who has spent her life subjugating the details of her sibling's
glamorous life. She also maintains a healthy friendship with
Eddie, and with a little luck, she'll be able to pull it off.
However, the situation becomes complicated when the friendship
between Kiki and Eddie takes a romantic turn.
There
are a couple nice comic bits early on, including one where
the recluse director decides to purchase the Kaczynski shack
to gain a better sense of privacy for the editing process.
I also admired the sweet-talking techniques employed by Crystal's
press agent in negotiating with the two celebs. But the movie
also misses some rather substantial comic targets, including
the whole press junket system. Junketeers are much more captivated
by any form of gossip rather than the actual film, yet director
Roth and writers Crystal and Peter Tolan don't tee off on
what would have been some pretty spicy fodder.
For the
most part, the cast does a fine job embodying their respective
quirky characters. (The only exception might be Hank Azaria
as Hector, Gwen's new lover. His lack of credibility is largely
due to a selection of voice so corny it would most likely
have been rejected by his co-horts on "The Simpsons.")
In a performance marking the antithesis of Erin Brockovich,
Roberts shines as the ultra-tolerant sister with a winning
smile. Her role is perfectly suited for a romantic comedy.
Zeta-Jones sinks her pearly whites into the role of a spoiled
superstar on a collision course with her own comeuppance.
Her role would feel right at home in a blistering Hollywood
satire. Basically, the movie's flaw is worn on the sleeve
of the Cusack character. Not sure of how to play Eddie Thomas,
John Cusack seems to straddle the line between sharp satire
and sweet romance. He's a terrific young actor, but looks
unusually confused here. He doesn't know which way to point,
and neither does the film.
Essentially,
biting satire and heartfelt romance are oil and water in the
realm of moviemaking. "America's Sweethearts" begins
by wanting its audience to laugh at the characters' misfortunes,
but does an unusual about face in the second half, hoping
to gain viewer sympathy. It's a difficult task for any filmmaker,
especially one whose hands are grasping the directoral wheel
for the first time.
Copyright
2001 Michael Brendan McLarney
Critically
Ill
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