Starring:
Mark Borchardt, family and friends Directed by: Chris Smith
Produced by: Sarah Price
Rated
R, for language and some drug content Running Time: 1 hour,
47 minutes Released by Sony Pictures Classics
"American
Movie" manages to be outrageously funny, heartbreakingly sad,
and subtly moving. Amazingly, those mixed emotions are brought
to the humanistic fore often at the exact same moments. The
film is a documentary about the efforts of aspiring filmmaker
Mark Borchardt; a thirty year old Wisconsin man with big dreams,
few good job prospects, and faced with the burden of an enormous
debt.
The
movie traces his quest toward the completion of his 40 minute
B-slasher flick, "Coven." (Pronounced "KOH-ven" despite one
of the actor's correct pronunciation of "KUH-ven." "'KUH-ven'
sounds too much like oven," is Borchardt's reply.) After funding
and assistance for his first feature film "Northwestern" fall
through, his plan is to sell enough copies of "Coven" on videocassette
to fund his feature film. For the funds to complete "Coven,"
Borchardt looks to his Uncle Bill - a lonely old man with
thousands of dollars put away, yet who now spends his days
resting on the porch of his trailer home, unsure of how to
spend his time. (In a moment of pure heartbreak, he mutters
all sorts of ramblings, each syllable resting in an echo of
sadness, longing, and emptiness.)
During
the course of the production, we learn a great deal about
Mark from the things he discusses and his views on life, but
it is the interview clips with his family and friends that
turn out to be more revealing. We are told that in high school,
Mark was quite smart and qualified for the Gifted and Talented
Program. But we also learn about his negative traits - his
inability to finish projects (numerous clips of his other
short films are tagged "unfinished"), the lack of any necessary
cohesive rigidity to his life (he is the father of three with
no real steady income), and his unquenchable thirst for alcohol.
But
if his bad habits were in heavy abundance, they were often
overshadowed by his knack for talk, and his ability to convince
others in joining him for his filmmaking efforts. He certainly
put his actors through a great deal, yet they stuck with him
the whole way. (One of the scenes in "Coven" requires Borchardt
to slam the head of one of his actors through a cupboard door,
subsequently set to break into pieces upon impact. After several
unsuccessful takes, he examines the door, realizes that it
needs to be "worked on" a little more before the next take.
Scenes like that are indeed funny, but are also strangely
moving - showing the patience those involved had, despite
not being given a reason to stick with him.) His persuasive
demeanor works on certain members of his family as well, as
he convinces his mother to assist in shooting a particular
scene. "I have my shopping to do," she pleads, but to no avail.
The scene HAS to be done that very day.
There
is a temptation to compare someone like Borchardt to, say
Ed Wood. But while Wood seemed to be endearingly untalented,
we sense a glimmer of brilliance streaking through the campy
mindset of people like Borchardt. True brilliance often seems
to nestle itself inside the embrace of destructive behavior.
He often makes bad choices, yet is actually rather perceptive.
(At one point, he views clips from one of his uncompleted
projects while musing on the reason it's not yet finished:
"There's a fear in finishing something. Having to live up
to a standard. So, you take a day off, fantasize a little
bit, and the next thing you know, you're forty, drinkin' a
beer in your living room.") Perceptions like that are so true,
it's unsettling.
Director
Chris Smith has put together a fascinating look at an interesting
group of people. People that are funny, that are sad, that
make bad decisions, yet have the tenacity to reach out for
their dreams despite their mistakes. "American Movie" is a
terrific film - funny, moving, sad, and impossible not to
relate to in some way.
Copyright
2001 Michael Brendan McLarney Critically
Ill
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