Cast:
Morgan Freeman...............Alex Cross
Monica Potter................Jezzie Flannigan
Michael Wincott..............Gary Soneji
Dylan Baker..................Ollie McArthur
Jay O. Sanders...............Kyle Craig
Mika Boorem..................Megan Rose
Penelope Ann Miller..........Lauren Rose
Michael Moriarty.............Senator Hank Rose
Directed
by: Lee Tamahori Written by: Marc Moss Based on the novel
by James Patterson
Rated R for violence and language Running Time: 1 hour, 42
minutes

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"Along
Came a Spider" wants to sweep its audience away onto a rollercoaster
of plot twists and double crosses, yet it forgets to do two
things: number one, make sense. The movie's twists may not
always be predictable, but they don't add up in the backstory,
either. The film will play best to people who suffer from
an affliction similar to the Guy Pearce character's memory
loss in "Memento" ... intriguing, as long as you can't remember
too far back. Pondering too much will cause it to unravel.
Oh, yeah; and the movie's not scary. That's the second thing.
Based
upon James Patterson's first novel in the Alex Cross series
(1997's "Kiss the Girls" was actually based on the second
novel), the story has the troubled detective as a recluse,
still suffering the psychological damage of losing his partner
in a sting operation gone awry. But he is quickly drawn back
into the detective game when Megan Rose (Mika Boorem), a prep
school student and daughter of a U.S. senator (Michael Moriarty)
is kidnapped by twisted psychopath Gary Soneji (Michael Wincott).
Soneji masqueraded for two years as a teacher at the school,
waiting to make his move. He's not after a ransom, but rather
a place in the history books. He leaves a piece of evidence
in Cross' mailbox, thereby luring him onto the case; his hope
is for Cross to document the investigation which would in
essence give the deranged predator a sense of immortality.
Detective Cross is joined by Secret Service agent Jezzie Flannigan
(Monica Potter), who was assigned to protect the girl. Both
investigators hope to erase their guilt as they race against
time to save the young hostage before it's too late.
The
biggest problem I had with the movie is its lack of intensity.
While "Kiss the Girls" was not a flawless film, is was definitely
chilling. Director Gary Fleder masterfully utilized foreground
and background planes as he created a penetrating element
of fear not by cheap gimmicks, but by establishing an aura
of paranoia. One of my favorite scenes in "Girls" had Cross
chasing the suspect into the forest. He stopped, glanced down
the road for a quick second, then gunshots fired from the
vespertine shadows far off into the distance; everything happened
within the very same frame.
"Spider"
isn't nearly as skilled. Perhaps that's because Hitchcockian
suspense is not director Lee Tamahori's strong suit. With
"Mulholland Falls" and "The Edge", the director focused on
the complex relationships between the characters and how they
altered as the result of their respective situations. Here,
the story doesn't allow as much free reign. The twists are
too distinct to help facilitate greater character development.
I can certainly admire Tamahori's venture into unchartered
territory, but maybe sticking to character-driven scripts
would be best.
Freeman
gives another marvelous performance which unfortunately works
against him, as it widens the gap between the authenticity
he brings to the role and the preposterousness of the story's
twists and turns. The likable young up-and-comer Monica Potter
doesn't leave much of an impression here; she's basically
reduced to reciting stilted lines of dialogue as she learns
the intricacies of criminal profiling.
Sadly,
"Along Came a Spider" belongs to the category of films that
discombobulates its audience without bothering to captivate
them. Considering that, I suppose the filmmakers accomplished
what they set out to do. Red herrings are aplenty. It's too
bad genuine intrigue is scarce.
Copyright
2001 Michael Brendan McLarney Critically
Ill
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